"I suppose that every time there is difficulty. I remember about Space Mountain: It took us ten years before we found the technology that would allow such a ride. And during these ten years, I had a model that I kept, waiting for the technology we needed"
About this Quote
Difficulty, for John Hench, isn’t a wall; it’s a holding pattern. The Space Mountain anecdote turns “we can’t yet” into a creative posture, a kind of disciplined patience that’s rarer than raw inspiration. He’s not romanticizing struggle. He’s describing a production reality where ambition routinely outruns the tools, and where the job of an artist inside a technology-heavy institution (Disney Imagineering) is to keep the future emotionally legible while engineers catch up.
The model matters. It’s proof that the idea was never the problem. By physically keeping a miniature Space Mountain on hand for a decade, Hench frames design as stewardship: you protect the concept from being diluted by interim compromises, corporate impatience, or the creeping temptation to “ship something” just to stop the bleeding. In subtext, it’s also a quiet flex. He’s asserting authorship over time, insisting that art can set the agenda for technology rather than merely decorating whatever tech happens to be available.
Contextually, Space Mountain is the perfect example because it’s not simply a ride; it’s a promised sensation. The “technology” isn’t gadgetry for its own sake but the mechanism required to deliver a specific illusion safely, repeatably, at scale. Hench’s intent is to reframe delay as integrity: waiting isn’t failure if you’re preserving a clear north star. The deeper message lands in any creative industry: keep the model. Let the world evolve toward it.
The model matters. It’s proof that the idea was never the problem. By physically keeping a miniature Space Mountain on hand for a decade, Hench frames design as stewardship: you protect the concept from being diluted by interim compromises, corporate impatience, or the creeping temptation to “ship something” just to stop the bleeding. In subtext, it’s also a quiet flex. He’s asserting authorship over time, insisting that art can set the agenda for technology rather than merely decorating whatever tech happens to be available.
Contextually, Space Mountain is the perfect example because it’s not simply a ride; it’s a promised sensation. The “technology” isn’t gadgetry for its own sake but the mechanism required to deliver a specific illusion safely, repeatably, at scale. Hench’s intent is to reframe delay as integrity: waiting isn’t failure if you’re preserving a clear north star. The deeper message lands in any creative industry: keep the model. Let the world evolve toward it.
Quote Details
| Topic | Perseverance |
|---|---|
| Source | Help us find the source |
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