"I suppose you could sum up the religious aspects of my boyhood by saying it was a time of life when I was taught the difference between right and wrong as it specifically applied to Catholicism"
About this Quote
Vaughn’s line lands because it sounds like a polite memoir sentence right up until it quietly twists the knife. “I suppose” and “you could sum up” perform modesty, as if he’s offering a harmless anecdote. Then he reframes childhood religion as not a moral education but a brand-specific rulebook: right and wrong “as it specifically applied to Catholicism.” The punch isn’t anti-faith so much as anti-category error. He’s pointing out how easily a tradition can swap in institutional loyalty for ethics and call it character.
The subtext is the familiar tension of mid-century Catholic upbringing: a dense world of rituals, prohibitions, and guilt-management that can feel less like learning to be good and more like learning to be compliant. Vaughn implies that “wrong” wasn’t defined by harm or empathy but by whether you crossed a line the Church had drawn. You can hear the adult actor in it, too: a performer’s sensitivity to scripts and staging. Catholicism becomes a role you’re trained to play correctly, with penalties for missed cues.
Context matters. Vaughn came of age when American Catholic identity was both defensive and disciplined, before the cultural loosening of the late 1960s and well before the Church’s credibility crises reshaped public perception. The sentence doesn’t rage; it dryly narrows the definition of morality until it looks parochial, then lets the reader feel the limitation. That restraint is what gives it bite: not confession, not accusation, just a clean, unsettling distinction.
The subtext is the familiar tension of mid-century Catholic upbringing: a dense world of rituals, prohibitions, and guilt-management that can feel less like learning to be good and more like learning to be compliant. Vaughn implies that “wrong” wasn’t defined by harm or empathy but by whether you crossed a line the Church had drawn. You can hear the adult actor in it, too: a performer’s sensitivity to scripts and staging. Catholicism becomes a role you’re trained to play correctly, with penalties for missed cues.
Context matters. Vaughn came of age when American Catholic identity was both defensive and disciplined, before the cultural loosening of the late 1960s and well before the Church’s credibility crises reshaped public perception. The sentence doesn’t rage; it dryly narrows the definition of morality until it looks parochial, then lets the reader feel the limitation. That restraint is what gives it bite: not confession, not accusation, just a clean, unsettling distinction.
Quote Details
| Topic | Faith |
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