"I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation"
About this Quote
Creative sincerity is overrated; what matters is velocity. Jhonen Vasquez is describing a method that treats belief less like a moral badge and more like raw material. He “may or may not” buy into the ideas he borrows, and that’s the point: he’s not writing a manifesto, he’s building a pressure cooker. By handing fragments of ideology to a character and watching him “run with them,” Vasquez frames authorship as controlled sabotage. The cartoonist supplies the spark; the character supplies the arson.
The subtext is a quiet refusal of the purity test that often shadows satire and dark comedy. Audiences want to know what a creator “really thinks,” as if every joke is a confession. Vasquez side-steps that demand by admitting the mask is the engine. The character becomes a lab rat for impulses the author can’t fully endorse, can’t fully dismiss, and doesn’t need to resolve. That ambivalence isn’t evasive; it’s productive. It creates the specific Vasquez-style tone where certainty is performative, feelings are nuclear, and logic is just another prop to be bent until it screams.
Context matters: coming out of alternative comics and animation culture, Vasquez’s work thrives on exaggerated personas (the kind that turn minor grievances into apocalyptic crusades). This quote explains why those characters feel both pointed and unpinned. He’s not arguing a side; he’s stress-testing ideas in public, letting a fictional extremist reveal what a tidy opinion keeps hidden. The “fun” isn’t frivolous. It’s the pleasure of watching a character expose the consequences the author can safely unleash but not necessarily live by.
The subtext is a quiet refusal of the purity test that often shadows satire and dark comedy. Audiences want to know what a creator “really thinks,” as if every joke is a confession. Vasquez side-steps that demand by admitting the mask is the engine. The character becomes a lab rat for impulses the author can’t fully endorse, can’t fully dismiss, and doesn’t need to resolve. That ambivalence isn’t evasive; it’s productive. It creates the specific Vasquez-style tone where certainty is performative, feelings are nuclear, and logic is just another prop to be bent until it screams.
Context matters: coming out of alternative comics and animation culture, Vasquez’s work thrives on exaggerated personas (the kind that turn minor grievances into apocalyptic crusades). This quote explains why those characters feel both pointed and unpinned. He’s not arguing a side; he’s stress-testing ideas in public, letting a fictional extremist reveal what a tidy opinion keeps hidden. The “fun” isn’t frivolous. It’s the pleasure of watching a character expose the consequences the author can safely unleash but not necessarily live by.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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