"I take the walk to be the externalization of an interior seeking so that the analogy is first of all between the external and the internal"
About this Quote
Ammons turns something as plain as taking a walk into a working model of consciousness. The line is almost comically unromantic at first glance: no birdsong, no “nature,” just a cool philosophical claim. That restraint is the point. By calling the walk an “externalization,” he treats the body as a pen that writes thinking onto the world. Walking becomes a method for making the invisible legible.
The phrasing “interior seeking” matters. Seeking implies restlessness, not self-help serenity. Ammons is after the way attention roams: it tests paths, doubles back, gets snagged on the trivial. The walk doesn’t illustrate a neat lesson; it stages the mind’s actual behavior in real time. That’s why he insists the analogy is “first of all” between outer and inner. Before any symbolism (the woods as soul, the road as destiny), there’s a basic reciprocity: landscape shapes thought as much as thought projects meaning onto landscape. The self is not a sealed room; it’s porous, weathered by whatever it moves through.
Contextually, this sits inside a late-20th-century poetic project that distrusts grand pronouncements but still wants to think big. Ammons often uses simple processes - walking, looking, listing - to smuggle in metaphysics without the stained-glass voice. The subtext is quietly radical: you don’t find clarity by retreating inward; you find it by moving, by letting the world answer back.
The phrasing “interior seeking” matters. Seeking implies restlessness, not self-help serenity. Ammons is after the way attention roams: it tests paths, doubles back, gets snagged on the trivial. The walk doesn’t illustrate a neat lesson; it stages the mind’s actual behavior in real time. That’s why he insists the analogy is “first of all” between outer and inner. Before any symbolism (the woods as soul, the road as destiny), there’s a basic reciprocity: landscape shapes thought as much as thought projects meaning onto landscape. The self is not a sealed room; it’s porous, weathered by whatever it moves through.
Contextually, this sits inside a late-20th-century poetic project that distrusts grand pronouncements but still wants to think big. Ammons often uses simple processes - walking, looking, listing - to smuggle in metaphysics without the stained-glass voice. The subtext is quietly radical: you don’t find clarity by retreating inward; you find it by moving, by letting the world answer back.
Quote Details
| Topic | Deep |
|---|---|
| Source | Help us find the source |
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