"I think about how I can create a world that feels true to me"
About this Quote
There is a quiet audacity in “create a world that feels true to me.” Wales Bonner isn’t talking about escapism; she’s naming design as jurisdiction. “World” expands fashion past product into atmosphere, narrative, and permission slip. It implies that clothes don’t merely decorate bodies - they build a lived environment of references, rituals, and codes. The phrase “feels true” is doing the heavy lifting: truth here isn’t a provable fact, it’s an internal alignment. In an industry obsessed with trend consensus and market testing, she’s privileging a different metric: resonance.
The intent is partly defensive, partly visionary. Defensive because designers, especially Black designers working with heritage, masculinity, and European canons, are routinely asked to translate themselves into legible branding. “True to me” rejects the demand for a single, easily summarized identity and replaces it with authorship. Visionary because it frames her work as cultural editing: selecting, reframing, and stitching together archives - literature, music, diasporic history - until they cohere into a space you can inhabit.
The subtext is also about softness as rigor. “Feels” isn’t a retreat from intellect; it’s a critique of the industry’s false objectivity, the way it treats “taste” as neutral when it’s often just inherited power. Wales Bonner’s world-making suggests that authenticity is constructed, not discovered - and that construction can be meticulous, scholarly, sensual. It’s a designer claiming the right to set the terms of reality, one silhouette at a time.
The intent is partly defensive, partly visionary. Defensive because designers, especially Black designers working with heritage, masculinity, and European canons, are routinely asked to translate themselves into legible branding. “True to me” rejects the demand for a single, easily summarized identity and replaces it with authorship. Visionary because it frames her work as cultural editing: selecting, reframing, and stitching together archives - literature, music, diasporic history - until they cohere into a space you can inhabit.
The subtext is also about softness as rigor. “Feels” isn’t a retreat from intellect; it’s a critique of the industry’s false objectivity, the way it treats “taste” as neutral when it’s often just inherited power. Wales Bonner’s world-making suggests that authenticity is constructed, not discovered - and that construction can be meticulous, scholarly, sensual. It’s a designer claiming the right to set the terms of reality, one silhouette at a time.
Quote Details
| Topic | Art |
|---|---|
| Source | Interview: The Gentlewoman (issue 16), "Grace Wales Bonner" profile/interview (2018) |
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