"I think America becomes more disgruntled by going to the movies and having an endlessly good time at them"
About this Quote
America's bad mood, Fiona Shaw suggests, is being fuelled by its own entertainment diet: the movies deliver "an endlessly good time", and that endlessness is the trap. The line is funny in a dry, actorly way because it flips the expected story. Movies are supposed to be the pressure valve, the cheap holiday from politics, work, and loneliness. Shaw implies they function more like a mood amplifier: the more reliably pleasurable the product, the more grating real life feels when the credits roll.
The phrasing matters. "I think" keeps it conversational, almost offhand, like a rehearsal-room observation rather than a manifesto. That casualness gives the critique plausible deniability while landing the punch. "Disgruntled" is a deliberately unglamorous word for a culture saturated in glamour; it evokes customer dissatisfaction, not tragedy. And "endlessly" points to an industrial logic, not a single film: a pipeline of engineered dopamine, the theme-parkization of narrative.
Subtextually, Shaw is taking aim at a consumer fantasy America exports and consumes: happiness as a purchasable, repeatable experience. If your baseline becomes two hours of curated excitement, sentiment, and moral clarity, the messy ambiguity of civic life starts to feel like a defective product. In that sense, the quote isn't anti-movies so much as anti-escapism as a lifestyle. It's a warning about what happens when a culture confuses relief with repair, and treats pleasure as proof that nothing needs to change.
The phrasing matters. "I think" keeps it conversational, almost offhand, like a rehearsal-room observation rather than a manifesto. That casualness gives the critique plausible deniability while landing the punch. "Disgruntled" is a deliberately unglamorous word for a culture saturated in glamour; it evokes customer dissatisfaction, not tragedy. And "endlessly" points to an industrial logic, not a single film: a pipeline of engineered dopamine, the theme-parkization of narrative.
Subtextually, Shaw is taking aim at a consumer fantasy America exports and consumes: happiness as a purchasable, repeatable experience. If your baseline becomes two hours of curated excitement, sentiment, and moral clarity, the messy ambiguity of civic life starts to feel like a defective product. In that sense, the quote isn't anti-movies so much as anti-escapism as a lifestyle. It's a warning about what happens when a culture confuses relief with repair, and treats pleasure as proof that nothing needs to change.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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