"I think an artist has always to be out of step with his time"
About this Quote
To be "out of step" is Welles branding the artist as a productive misfit: someone whose timing is deliberately wrong because the culture's timing is usually wrong. Coming from an actor-director who was treated like a wunderkind and then, almost immediately, like a problem, the line reads less like romantic posturing and more like a survival strategy. If you move in lockstep with your era, you become its employee. Welles is arguing that art is supposed to be an irritant, not a mirror polished to the audience's preferences.
The subtext is also defensive, and shrewd. Welles spent decades watching his innovations get praised in hindsight while his projects were butchered in the present. "Out of step" reframes that frustration as proof of integrity: the very disconnect that gets you punished by studios, critics, or the market becomes the credential. It's a neat inversion of failure into vocation.
The intent isn't anti-populist snobbery; it's a warning about how quickly "relevance" becomes obedience. Welles knew the machinery of taste intimately: theater, radio, Hollywood, the whole ecosystem of gatekeepers who reward what feels familiar. His best work (Citizen Kane, The War of the Worlds broadcast) didn't just entertain; it messed with form and with authority, forcing audiences to notice the medium itself. Being out of step, here, isn't a pose. It's a method for staying ahead of the culture's self-flattery and its amnesia.
The subtext is also defensive, and shrewd. Welles spent decades watching his innovations get praised in hindsight while his projects were butchered in the present. "Out of step" reframes that frustration as proof of integrity: the very disconnect that gets you punished by studios, critics, or the market becomes the credential. It's a neat inversion of failure into vocation.
The intent isn't anti-populist snobbery; it's a warning about how quickly "relevance" becomes obedience. Welles knew the machinery of taste intimately: theater, radio, Hollywood, the whole ecosystem of gatekeepers who reward what feels familiar. His best work (Citizen Kane, The War of the Worlds broadcast) didn't just entertain; it messed with form and with authority, forcing audiences to notice the medium itself. Being out of step, here, isn't a pose. It's a method for staying ahead of the culture's self-flattery and its amnesia.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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