"I think being an artist, or just being creative, or imaginative, or aware, where I think everybody starts out, and by about the age of 10, that's been pretty effectively whipped out by education"
About this Quote
There’s a deliberate provocation in Wiley’s phrasing: creativity isn’t merely neglected by schooling, it’s “pretty effectively whipped out.” That verb drags the classroom into the realm of discipline and punishment, implying that imagination gets treated like misbehavior. Coming from someone identified as a soldier, the line lands with extra bite. Military life is famously built on hierarchy, compliance, and repetition; Wiley isn’t romanticizing that structure, he’s using it as a contrast to argue that our institutions train people for obedience long before they ever put on a uniform.
The quote’s intent is less nostalgia than indictment. Wiley gestures to a common childhood baseline - “where I think everybody starts out” - then pins the collapse of that openness to a specific deadline: age 10. That specificity matters. It frames creativity as something systematically engineered out of kids right as evaluation, sorting, and “correct” answers start to harden. The subtext isn’t that schools are evil; it’s that the incentives of education (standardization, measurable outcomes, risk aversion) quietly select against imaginative thinking, which is messy and time-consuming and often looks like distraction.
Wiley also slips in an expansive definition of artistry: “creative, imaginative, or aware.” “Aware” is the tell. He’s not just mourning lost painting skills; he’s arguing that education can dull perception itself, the capacity to notice, question, and interpret. It’s a critique of how a society reproduces itself: not by banning creativity outright, but by grading it into submission.
The quote’s intent is less nostalgia than indictment. Wiley gestures to a common childhood baseline - “where I think everybody starts out” - then pins the collapse of that openness to a specific deadline: age 10. That specificity matters. It frames creativity as something systematically engineered out of kids right as evaluation, sorting, and “correct” answers start to harden. The subtext isn’t that schools are evil; it’s that the incentives of education (standardization, measurable outcomes, risk aversion) quietly select against imaginative thinking, which is messy and time-consuming and often looks like distraction.
Wiley also slips in an expansive definition of artistry: “creative, imaginative, or aware.” “Aware” is the tell. He’s not just mourning lost painting skills; he’s arguing that education can dull perception itself, the capacity to notice, question, and interpret. It’s a critique of how a society reproduces itself: not by banning creativity outright, but by grading it into submission.
Quote Details
| Topic | Teaching |
|---|---|
| Source | Help us find the source |
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