"I think everybody has the ability to fall in love with a man or with a woman or a white person or a black person or a Jewish person or a Protestant person or whatever"
About this Quote
Sheedy’s list tumbles out with a kind of hurried generosity, the verbal equivalent of someone trying to keep a door from swinging shut. The intent is plainly inclusive: desire isn’t a gated community, and most of the fences we build around it are cultural. But the way she gets there matters. By stacking “a man or a woman” beside “white…black…Jewish…Protestant…whatever,” she collapses sexual orientation and identity categories into one breathless inventory. It’s messy, but it’s also revealing: the point isn’t taxonomy; it’s permission.
The subtext is less about announcing a personal label than resisting the demand to pick one. “I think everybody has the ability” shifts the claim from confession to human potential, a rhetorical dodge that still lands as advocacy. She frames love as an innate capacity that precedes politics, which is a canny move for a pop-culture figure: it invites listeners who might recoil from ideology to nod along to something that sounds like common sense.
Contextually, Sheedy is a quintessential Gen X screen presence, associated with an era when teen movies smuggled big social questions into “relatable” characters. Read that way, the quote feels like a bridge between older, more rigid identity boundaries and a later cultural moment that treats attraction as fluid, sometimes situational, rarely courtroom-ready. Even the trailing “or whatever” is doing work: it punctures solemnity, signaling that the list could go on forever because the categories themselves are the problem.
The subtext is less about announcing a personal label than resisting the demand to pick one. “I think everybody has the ability” shifts the claim from confession to human potential, a rhetorical dodge that still lands as advocacy. She frames love as an innate capacity that precedes politics, which is a canny move for a pop-culture figure: it invites listeners who might recoil from ideology to nod along to something that sounds like common sense.
Contextually, Sheedy is a quintessential Gen X screen presence, associated with an era when teen movies smuggled big social questions into “relatable” characters. Read that way, the quote feels like a bridge between older, more rigid identity boundaries and a later cultural moment that treats attraction as fluid, sometimes situational, rarely courtroom-ready. Even the trailing “or whatever” is doing work: it punctures solemnity, signaling that the list could go on forever because the categories themselves are the problem.
Quote Details
| Topic | Love |
|---|---|
| Source | Help us find the source |
More Quotes by Ally
Add to List







