"I think finally good writing gets out there, and people like it, and bad writing doesn't. Well, no. Bad writing does get out there 'cause some people like it"

In this quote, Robert B. Parker is reviewing the nature of composing and its reception by audiences. The quote exposes a nuanced understanding of how both "great" and "bad" writing discover their location on the planet. On the surface area, Parker suggests an idealistic notion where quality writing ultimately gathers the recognition it is worthy of because it resonates with readers--"excellent writing gets out there, and people like it". Essentially, he's arguing that benefit matters and that efficient storytelling, compelling characters, and well-crafted prose will naturally attract a pleased audience.

Nevertheless, Parker then acknowledges the intricacy of the literary market, noting that "bad writing does get out there 'cause some people like it". This suggests that composing isn't purely judged on an unbiased scale of quality however goes through individual taste and market forces. What one person considers bad writing might resonate with another, and this dichotomy depicts the diversity in readers' choices. Such variations in taste mean that even writing which critics or particular audiences may neglect can still accomplish appeal if it gets in touch with its own segment of the readership.

Parker's quote also lightly critiques the book market, suggesting that market dynamics, patterns, and marketing can raise specific lesser-quality works to prominence. It indicates the idea that, in the end, both kinds of writing-- considered 'good' or 'bad'-- discover their audience. Furthermore, the quote implicitly appreciates the subjective nature of art appreciation. The statement shows a wider fact about art and home entertainment: they do not exist in a vacuum however become part of a bigger social and cultural context where lots of elements, beyond pure quality, play a role in determining success.

In essence, Parker communicates an understanding of the unpredictable nature of literary success, highlighting that acknowledgment depends not simply on the intrinsic quality of the work but on the diverse tastes of readers and the complex characteristics of the literary marketplace.