"I think Flip Wilson is a brillant comedian"
About this Quote
A working pop star doesn’t casually single out a comedian in 1960s America; he’s signaling taste, allegiance, and a read on where the culture is headed. Bobby Darin’s praise of Flip Wilson lands like a small vote of confidence with big implications: Wilson wasn’t just “funny,” he was a Black performer breaking into mainstream living rooms with material sharp enough to travel, yet elastic enough to survive network television. Calling him “brillant” (misspelling and all) makes the compliment feel unvarnished, more backstage than press release.
The intent is straightforward admiration, but the subtext is about legitimacy. Darin, who moved fluidly between teen-idol sheen and more “serious” repertoire, is recognizing a peer who’s also doing crossover work: taking a persona-driven act and turning it into mass appeal without sanding down the edges that make it distinctive. Flip Wilson’s comedy leaned on character, timing, and a sly relationship to authority; it could look breezy while smuggling in commentary on race, gender performance, and consumer culture. Darin is effectively saying: this guy isn’t novelty, he’s craft.
Context matters because entertainment hierarchies were rigid. Musicians were expected to stay in their lane; white stars were rarely expected to publicly validate Black comics as artists rather than curiosities. Darin’s line reads as a cultural tell: he’s attuned to a shifting marketplace where television comedy is becoming a center of gravity, and where the “mainstream” is being renegotiated in real time. The throwaway tone is the point. It normalizes Wilson’s excellence, which is its own quiet provocation.
The intent is straightforward admiration, but the subtext is about legitimacy. Darin, who moved fluidly between teen-idol sheen and more “serious” repertoire, is recognizing a peer who’s also doing crossover work: taking a persona-driven act and turning it into mass appeal without sanding down the edges that make it distinctive. Flip Wilson’s comedy leaned on character, timing, and a sly relationship to authority; it could look breezy while smuggling in commentary on race, gender performance, and consumer culture. Darin is effectively saying: this guy isn’t novelty, he’s craft.
Context matters because entertainment hierarchies were rigid. Musicians were expected to stay in their lane; white stars were rarely expected to publicly validate Black comics as artists rather than curiosities. Darin’s line reads as a cultural tell: he’s attuned to a shifting marketplace where television comedy is becoming a center of gravity, and where the “mainstream” is being renegotiated in real time. The throwaway tone is the point. It normalizes Wilson’s excellence, which is its own quiet provocation.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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