"I think getting drunk is the key to flying comfortably. A couple of bloody marys or several glasses of champagne, and suddenly it's like you're on a roller coaster"
About this Quote
Peet’s line lands because it treats an open secret like a lifestyle hack: the fastest way to tolerate air travel is to chemically opt out of caring. The joke isn’t just “drinking on a plane is fun.” It’s the sharper, more modern admission that flying has become an anxiety machine masquerading as routine. Airports are surveillance-heavy, patience-testing, body-humbling spaces; the cabin is a pressurized tube where discomfort is politely rationed. Alcohol becomes the DIY antidote to a system that sells “comfort” as an upgrade.
The specificity of “a couple of bloody marys or several glasses of champagne” does cultural work. Bloody marys evoke the daytime, brunchy permission structure of travel drinking (it’s 9 a.m., but it’s airport 9 a.m.). Champagne signals aspirational ease, the fantasy that you’re not trapped in economy, you’re “jetting.” Both are costumes you can put on to feel in control.
Calling it “a roller coaster” is the tell: she reframes fear as entertainment. Turbulence becomes thrills, confinement becomes a ride, and the surrender that flying demands is repackaged as play. Underneath is a wink at the way adults manage stress in public: not by confronting it, but by curating a mood that makes it tolerable.
As an actress, Peet’s intent also feels performative in the best way: a punchy, relatable confession that flatters the listener’s own coping rituals while quietly pointing at the absurdity of a culture where sedation passes for convenience.
The specificity of “a couple of bloody marys or several glasses of champagne” does cultural work. Bloody marys evoke the daytime, brunchy permission structure of travel drinking (it’s 9 a.m., but it’s airport 9 a.m.). Champagne signals aspirational ease, the fantasy that you’re not trapped in economy, you’re “jetting.” Both are costumes you can put on to feel in control.
Calling it “a roller coaster” is the tell: she reframes fear as entertainment. Turbulence becomes thrills, confinement becomes a ride, and the surrender that flying demands is repackaged as play. Underneath is a wink at the way adults manage stress in public: not by confronting it, but by curating a mood that makes it tolerable.
As an actress, Peet’s intent also feels performative in the best way: a punchy, relatable confession that flatters the listener’s own coping rituals while quietly pointing at the absurdity of a culture where sedation passes for convenience.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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