"I think he was explicit that it was a slave labor situation, but I was not alarmed at that point, because there were so many tragedies involved in that war. That was the first time I had any indication that something was sort of strange"
About this Quote
The chilling part isn’t the mention of “slave labor.” It’s how quickly the mind files it under background noise. Guggenheim’s sentence records a moral anesthetic at work: atrocity arrives as “explicit” information, yet it doesn’t trip the alarm because the surrounding world is already saturated with catastrophe. “So many tragedies involved in that war” functions like a psychological waiver, a way to convert a specific crime into an expected cost of history.
The phrasing is revealing. He doesn’t say he understood; he says he “was explicit that it was” - distancing the horror by locating it in someone else’s clarity. Then comes the passive, bureaucratic slipperiness of “a slave labor situation,” as if slavery can be downgraded into a “situation,” a logistical complication rather than a moral emergency. Only later does a softer, vaguer discomfort arrive: “something was sort of strange.” That hedge - “sort of” - suggests how hard it is, even in hindsight, to admit the scale of what was being normalized.
As a director, Guggenheim is essentially describing a narrative problem: when suffering is constant, the audience (even an eyewitness audience) loses the ability to register signal amid noise. The intent feels less like confession than documentation of how denial gets built in real time - not through ignorance, but through the steady lowering of the threshold for what counts as shocking.
The phrasing is revealing. He doesn’t say he understood; he says he “was explicit that it was” - distancing the horror by locating it in someone else’s clarity. Then comes the passive, bureaucratic slipperiness of “a slave labor situation,” as if slavery can be downgraded into a “situation,” a logistical complication rather than a moral emergency. Only later does a softer, vaguer discomfort arrive: “something was sort of strange.” That hedge - “sort of” - suggests how hard it is, even in hindsight, to admit the scale of what was being normalized.
As a director, Guggenheim is essentially describing a narrative problem: when suffering is constant, the audience (even an eyewitness audience) loses the ability to register signal amid noise. The intent feels less like confession than documentation of how denial gets built in real time - not through ignorance, but through the steady lowering of the threshold for what counts as shocking.
Quote Details
| Topic | War |
|---|---|
| Source | Help us find the source |
More Quotes by Charles
Add to List
