"I think I have something tonight that's not quite correct for evening wear. Blue suede shoes"
About this Quote
Elvis is doing two things at once here: playing innocent and picking a fight with taste. Framed as a polite wardrobe worry, the line is really a wink at the gatekeepers who policed what a young Southern rocker was allowed to look like, sound like, and desire. “Not quite correct for evening wear” borrows the language of ballrooms, country clubs, and TV-friendly respectability; “blue suede shoes” answers that language with a punchline that doubles as a manifesto. He’s not underdressed. He’s dressed for a different America.
The subtext is class and generational revolt disguised as banter. Suede isn’t formal, blue isn’t discreet, and the specificity of the item turns rebellion into something you can picture, covet, and copy. That’s part of Elvis’s genius: the revolution arrives as a consumer object you can buy at the mall, a little piece of attitude you can lace up. The shoes become a proxy for the body that’s wearing them, the hips that made censors nervous, the swagger that threatened to make “good taste” look like cowardice.
Context matters: mid-1950s television demanded clean edges and safe narratives. Elvis meets that demand with charm, then slips the knife in. He acknowledges the rulebook just long enough to show he doesn’t plan to follow it. The laugh is the lubricant; the provocation is the point.
The subtext is class and generational revolt disguised as banter. Suede isn’t formal, blue isn’t discreet, and the specificity of the item turns rebellion into something you can picture, covet, and copy. That’s part of Elvis’s genius: the revolution arrives as a consumer object you can buy at the mall, a little piece of attitude you can lace up. The shoes become a proxy for the body that’s wearing them, the hips that made censors nervous, the swagger that threatened to make “good taste” look like cowardice.
Context matters: mid-1950s television demanded clean edges and safe narratives. Elvis meets that demand with charm, then slips the knife in. He acknowledges the rulebook just long enough to show he doesn’t plan to follow it. The laugh is the lubricant; the provocation is the point.
Quote Details
| Topic | Witty One-Liners |
|---|---|
| Source | Help us find the source |
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