"I think I would have a better time writing films rather than directing"
About this Quote
Mackenzie Astin’s line has the casual shrug of an actor quietly redrawing the map of power on a set. “Better time” is doing the heavy lifting: he’s not claiming he’d be better at writing than directing, just that he’d enjoy it more. That’s an emotional truth masquerading as a career note, and it lands because it’s anti-macho in an industry that prizes command. Directing is the job everyone is supposed to want; Astin punctures that assumption by framing creative ambition as a question of temperament, not status.
The subtext is about exposure. Directors absorb risk in public: the clock, the crew, the million micro-decisions that become blame when the day goes sideways. Writing, by contrast, offers a private kind of authorship. You can chase tone, character, and structure without having to marshal thirty departments or perform certainty on demand. For an actor, that’s an enticing shift: you’re still shaping story, but from a seat that’s less about managing people and more about managing meaning.
There’s also a quiet critique of how “directing” gets mythologized as the ultimate creative rung. Astin’s phrasing suggests he’s drawn to the part of filmmaking where ideas are allowed to be unfinished, contradictory, and strange before they’re forced into schedules and shot lists. In a culture that treats creative control like a trophy, he’s arguing for something rarer: control as a workspace that matches your nervous system.
The subtext is about exposure. Directors absorb risk in public: the clock, the crew, the million micro-decisions that become blame when the day goes sideways. Writing, by contrast, offers a private kind of authorship. You can chase tone, character, and structure without having to marshal thirty departments or perform certainty on demand. For an actor, that’s an enticing shift: you’re still shaping story, but from a seat that’s less about managing people and more about managing meaning.
There’s also a quiet critique of how “directing” gets mythologized as the ultimate creative rung. Astin’s phrasing suggests he’s drawn to the part of filmmaking where ideas are allowed to be unfinished, contradictory, and strange before they’re forced into schedules and shot lists. In a culture that treats creative control like a trophy, he’s arguing for something rarer: control as a workspace that matches your nervous system.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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