"I think I would much rather push the boundaries of the degradation that the characters face"
About this Quote
There is something bracingly unglamorous in Rowntree's phrasing: not “push boundaries” in the sexy, avant-garde sense, but the boundaries of degradation. It’s an artist admitting the fascination isn’t with transgression for its own sake, but with what happens when you keep turning the screw on a character’s dignity and see what still survives. Coming from a musician - someone associated with energy, spectacle, and image - the line reads like a quiet pivot toward narrative cruelty as craft.
“Would much rather” signals preference, almost relief, as if conventional routes (coolness, charm, triumph) feel less honest than the downward pressure of humiliation. The subtext is that degradation reveals structure. It strips away the flattering lies characters tell themselves, forcing clearer choices: beg, perform, betray, endure, dissociate. That’s why it works. Audience empathy often sharpens not at the moment of victory but at the moment someone is reduced, then has to decide whether to claw back power or accept the terms of their reduction.
Contextually, it also taps into a late-20th/early-21st-century sensibility where the “edgy” move is no longer simply depicting bad behavior, but interrogating systems that grind people down: class, institutions, masculinity, fandom, the workplace, the media. “Push the boundaries” becomes less about shock and more about testing how much indignity a story can stage before it turns into exploitation - and whether the creator is aware of that line. Rowntree’s candor suggests he’s drawn to the discomfort because it exposes the audience too: our appetite for watching people get dragged, and our need to believe it means something.
“Would much rather” signals preference, almost relief, as if conventional routes (coolness, charm, triumph) feel less honest than the downward pressure of humiliation. The subtext is that degradation reveals structure. It strips away the flattering lies characters tell themselves, forcing clearer choices: beg, perform, betray, endure, dissociate. That’s why it works. Audience empathy often sharpens not at the moment of victory but at the moment someone is reduced, then has to decide whether to claw back power or accept the terms of their reduction.
Contextually, it also taps into a late-20th/early-21st-century sensibility where the “edgy” move is no longer simply depicting bad behavior, but interrogating systems that grind people down: class, institutions, masculinity, fandom, the workplace, the media. “Push the boundaries” becomes less about shock and more about testing how much indignity a story can stage before it turns into exploitation - and whether the creator is aware of that line. Rowntree’s candor suggests he’s drawn to the discomfort because it exposes the audience too: our appetite for watching people get dragged, and our need to believe it means something.
Quote Details
| Topic | Writing |
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