"I think if I have any kind of unique gift, it's more in the comedy area than it is in the dramatic area"
About this Quote
There’s a quiet audacity in calling your own talent “unique” while immediately shrinking it down to “kind of” and “I think.” Susan Sullivan’s line reads like classic actor modesty, but it’s also a strategic self-definition: a veteran performer staking out her lane in an industry that loves to typecast, especially women as they age. By framing comedy as her “gift,” she’s not dismissing drama so much as refusing the old hierarchy that treats comedy as the lighter, less prestigious sibling.
The phrasing matters. “Comedy area” and “dramatic area” sound almost like departments at a studio lot, which subtly acknowledges the business side of craft. She’s talking about range the way casting directors do: what you sell, what you book, what people trust you with. Underneath is a knowing admission about how careers get shaped less by pure ability than by the feedback loop of opportunity. If you’re good at comedy, you get hired for comedy; if you keep getting hired for comedy, everyone decides that’s what you are.
There’s also an actor’s ego-management at work. Comedy is a high-wire act: timing, precision, and the ability to make an audience feel safe while you expose something a little ugly. By claiming comedy as her strongest suit, Sullivan is asserting a form of mastery that doesn’t beg for solemn respectability. It’s a professional shrug that doubles as a flex: I know what I do best, and I’m not apologizing for it.
The phrasing matters. “Comedy area” and “dramatic area” sound almost like departments at a studio lot, which subtly acknowledges the business side of craft. She’s talking about range the way casting directors do: what you sell, what you book, what people trust you with. Underneath is a knowing admission about how careers get shaped less by pure ability than by the feedback loop of opportunity. If you’re good at comedy, you get hired for comedy; if you keep getting hired for comedy, everyone decides that’s what you are.
There’s also an actor’s ego-management at work. Comedy is a high-wire act: timing, precision, and the ability to make an audience feel safe while you expose something a little ugly. By claiming comedy as her strongest suit, Sullivan is asserting a form of mastery that doesn’t beg for solemn respectability. It’s a professional shrug that doubles as a flex: I know what I do best, and I’m not apologizing for it.
Quote Details
| Topic | Funny |
|---|---|
| Source | Help us find the source |
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