"I think I'm actually quite a materialistic person, I value what it takes to make a car or build a nice house. Money does change things, but how it changes people depends on how they react to it"
About this Quote
Roland Gift is doing something sly here: rescuing “materialistic” from its default moral indictment and reframing it as a kind of respect for craft. He doesn’t say he loves money; he says he values what money makes possible when it’s translated into labor, design, and engineering - a car, a house, the visible proof of human skill. That pivot matters. It’s a way of claiming taste, not greed: an admiration for construction over consumption, process over flex.
The second sentence tightens the argument into a personality test. “Money does change things” is an almost tired truism, but Gift immediately refuses the deterministic version people reach for when they want to explain someone’s downfall. The subtext is defensive and revealing: don’t blame money for what you already were. Wealth becomes a solvent, not a sculptor; it dissolves the pretense and reveals how you “react to it.” That’s a quietly sharp rebuke to the culture’s favorite narrative about fame and fortune as corrupting forces, as if character were a passive substance money acts upon.
As an actor and public figure, Gift is also managing the optics of success. He acknowledges desire without sounding crass, signals working-class sensibility by praising “what it takes,” then draws a boundary: if he changes, it won’t be because money hypnotized him. It’s a line that reads like self-portrait and preemptive press statement at once.
The second sentence tightens the argument into a personality test. “Money does change things” is an almost tired truism, but Gift immediately refuses the deterministic version people reach for when they want to explain someone’s downfall. The subtext is defensive and revealing: don’t blame money for what you already were. Wealth becomes a solvent, not a sculptor; it dissolves the pretense and reveals how you “react to it.” That’s a quietly sharp rebuke to the culture’s favorite narrative about fame and fortune as corrupting forces, as if character were a passive substance money acts upon.
As an actor and public figure, Gift is also managing the optics of success. He acknowledges desire without sounding crass, signals working-class sensibility by praising “what it takes,” then draws a boundary: if he changes, it won’t be because money hypnotized him. It’s a line that reads like self-portrait and preemptive press statement at once.
Quote Details
| Topic | Money |
|---|---|
| Source | Help us find the source |
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