"I think is very beneficial to relax yourself so that when you are doing it you are not staggering for lines and your concentration is not on what I am going to say - but the scene itself, the character that you are talking to"
About this Quote
Coleman is giving away an actor's dirty secret: the best performances often come from doing less mental work in the moment, not more. His advice to "relax yourself" isn't self-help fluff; it's a practical strategy for getting the brain out of the way so instinct can take over. The phrase "staggering for lines" lands like an actor's nightmare in plain English: that clumsy, panicked reach for memorized words that turns a scene into a recitation. He's naming the split-second betrayal audiences can sense even if they can't diagnose it.
The real pivot is where he redirects "concentration". Coleman isn't anti-preparation; he's anti-self-monitoring. Worrying about "what I am going to say" traps you in a future tense, performing a plan. Staying with "the scene itself" is present-tense work: listening, reacting, letting the other character change you. That's the subtext of craft here - acting as relationship rather than delivery system.
Context matters. Coleman built a career on sharp, controlled personas - the boss, the jerk, the authority figure with a pulse of humanity underneath. That kind of performance depends on precision, but it's precision disguised as ease. His point is that relaxation isn't softness; it's clearance. It creates room for the character's intention to drive the line, not the actor's fear of forgetting it. In an industry that fetishizes spontaneity, he's quietly arguing that spontaneity is engineered - by removing the telltale strain.
The real pivot is where he redirects "concentration". Coleman isn't anti-preparation; he's anti-self-monitoring. Worrying about "what I am going to say" traps you in a future tense, performing a plan. Staying with "the scene itself" is present-tense work: listening, reacting, letting the other character change you. That's the subtext of craft here - acting as relationship rather than delivery system.
Context matters. Coleman built a career on sharp, controlled personas - the boss, the jerk, the authority figure with a pulse of humanity underneath. That kind of performance depends on precision, but it's precision disguised as ease. His point is that relaxation isn't softness; it's clearance. It creates room for the character's intention to drive the line, not the actor's fear of forgetting it. In an industry that fetishizes spontaneity, he's quietly arguing that spontaneity is engineered - by removing the telltale strain.
Quote Details
| Topic | Movie |
|---|
More Quotes by Dabney
Add to List
