"I think it was a possibility, I think we're all kind of delusional like that, we think that we can all carry on being who we are without bending ourselves to make ourselves acceptable and expect someone to come along and see to us and rescue to us"
About this Quote
Gleeson lets the air out of a romantic fantasy with the gentle brutality of someone who’s seen how stories warp real life. The line starts with a hedge - "I think" repeated like a verbal shrug - but it’s not uncertainty so much as self-protection. He’s admitting something embarrassing: that even grown adults keep a private audition running in their heads, hoping they can stay perfectly themselves and still be chosen.
The engine of the quote is the word "delusional". It’s not a diagnosis; it’s a confession shared with the listener: we’re all in on the lie. The subtext is about identity as performance. We want authenticity without consequence, to be “who we are” while also being legible, lovable, and uncomplicated to other people. Gleeson frames the alternative as “bending ourselves,” a phrase that makes compromise feel physical, almost joint-cracking. That’s why it lands: it doesn’t moralize about changing for others; it makes the cost of not changing emotionally tangible.
Then comes the quiet indictment of rescue narratives. “Expect someone to come along and… rescue” isn’t just about romance; it’s about the cultural script that externalizes responsibility. Salvation is outsourced to a partner, a friend, an audience - anyone who can validate the self we refuse to revise. Gleeson’s intent feels less cynical than clarifying: if you’re waiting to be “seen” without translation, you may be waiting forever, not because you’re unworthy, but because adulthood is mostly translation.
The engine of the quote is the word "delusional". It’s not a diagnosis; it’s a confession shared with the listener: we’re all in on the lie. The subtext is about identity as performance. We want authenticity without consequence, to be “who we are” while also being legible, lovable, and uncomplicated to other people. Gleeson frames the alternative as “bending ourselves,” a phrase that makes compromise feel physical, almost joint-cracking. That’s why it lands: it doesn’t moralize about changing for others; it makes the cost of not changing emotionally tangible.
Then comes the quiet indictment of rescue narratives. “Expect someone to come along and… rescue” isn’t just about romance; it’s about the cultural script that externalizes responsibility. Salvation is outsourced to a partner, a friend, an audience - anyone who can validate the self we refuse to revise. Gleeson’s intent feels less cynical than clarifying: if you’re waiting to be “seen” without translation, you may be waiting forever, not because you’re unworthy, but because adulthood is mostly translation.
Quote Details
| Topic | Romantic |
|---|---|
| Source | Help us find the source |
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