"I think it's important for fans to know that but if I'm doing something that inspires me musically then I think it will inspire someone else too"
About this Quote
Cornell is making a quiet, almost stubborn case for artistic selfishness as a public service. The line starts with a nod to “fans” - an acknowledgment that the audience is real, invested, watching - but he refuses to let their expectations run the room. That “but” is the hinge: the moment he flips the usual pop-economy logic (give people what they want) into something closer to a creed (give people what’s true).
The subtext is trust, and it cuts both ways. Cornell is asking listeners to trust that his internal compass is more reliable than a focus group, and he’s confessing his own need to trust it, too. “If it inspires me musically” isn’t just about chasing novelty; it’s about staying alive inside the work, resisting the dead-eyed repetition that can swallow successful artists whole. For someone who moved between Soundgarden’s heaviness, Audioslave’s arena scale, and his own stripped-down solo performances, that’s biography as principle: reinvention not as branding, but as survival.
There’s also an implicit theory of connection here: inspiration as contagious, not manufactured. He’s rejecting the idea that relatability has to be engineered. Instead, he bets on a paradox that great music often proves - the more specific and honest the impulse, the broader the impact. It’s not a sentimental promise; it’s a practical one. When the artist is genuinely lit up, the listener can feel the heat.
The subtext is trust, and it cuts both ways. Cornell is asking listeners to trust that his internal compass is more reliable than a focus group, and he’s confessing his own need to trust it, too. “If it inspires me musically” isn’t just about chasing novelty; it’s about staying alive inside the work, resisting the dead-eyed repetition that can swallow successful artists whole. For someone who moved between Soundgarden’s heaviness, Audioslave’s arena scale, and his own stripped-down solo performances, that’s biography as principle: reinvention not as branding, but as survival.
There’s also an implicit theory of connection here: inspiration as contagious, not manufactured. He’s rejecting the idea that relatability has to be engineered. Instead, he bets on a paradox that great music often proves - the more specific and honest the impulse, the broader the impact. It’s not a sentimental promise; it’s a practical one. When the artist is genuinely lit up, the listener can feel the heat.
Quote Details
| Topic | Music |
|---|
More Quotes by Chris
Add to List




