"I think it's really important to use your hands and get close to materials. To be up close to real things like rain and mud; to have contact with nature"
About this Quote
Day is arguing for a kind of literacy you can only learn with your palms: the stubborn, tactile knowledge that comes from making, handling, and getting dirty. “Use your hands” isn’t just a lifestyle tip; it’s a quiet rebuke to distance-to-materials as a cultural default. The phrase “get close to materials” reads like a manifesto against the mediated world of ideas-about-things, where we talk endlessly and touch rarely. He builds credibility by naming the unglamorous substances - “rain and mud” - because they can’t be romanticized without sounding ridiculous. That’s the point. Mud is evidence. It’s friction, mess, resistance. It forces attention.
The subtext is that modern life conspires to anesthetize us: we outsource making, we sanitize experience, we replace “real things” with representations. Day’s “real” is doing a lot of work here. It suggests a hierarchy of authenticity in which proximity equals truth, and where the body is an instrument for judgment, not just a vehicle for the brain. Coming from a journalist, it’s also a statement about reporting as a craft, not a commentary track. Fieldwork over punditry. Presence over posture.
Contextually, for someone of Day’s generation - shaped by wartime austerity, postwar reconstruction, and the rise of mass production - the line reads like resistance to a world getting smoother, faster, and more abstract. He’s defending contact with nature not as sentiment, but as calibration: the way you remember scale, consequence, and what things actually cost to make and to live with.
The subtext is that modern life conspires to anesthetize us: we outsource making, we sanitize experience, we replace “real things” with representations. Day’s “real” is doing a lot of work here. It suggests a hierarchy of authenticity in which proximity equals truth, and where the body is an instrument for judgment, not just a vehicle for the brain. Coming from a journalist, it’s also a statement about reporting as a craft, not a commentary track. Fieldwork over punditry. Presence over posture.
Contextually, for someone of Day’s generation - shaped by wartime austerity, postwar reconstruction, and the rise of mass production - the line reads like resistance to a world getting smoother, faster, and more abstract. He’s defending contact with nature not as sentiment, but as calibration: the way you remember scale, consequence, and what things actually cost to make and to live with.
Quote Details
| Topic | Nature |
|---|---|
| Source | Help us find the source |
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