"I think making mistakes is as inevitable as receiving disappointments"
About this Quote
Young’s line has the brisk, lived-in realism of someone who spent a lifetime being watched. “I think” softens the claim, but it’s not tentative; it’s a performance of modesty that still lands as a verdict. Pairing “making mistakes” with “receiving disappointments” is the trick: one is framed as something you do, the other as something that happens to you. By making them equally “inevitable,” she collapses the moral hierarchy between agency and fate. Mistakes aren’t a character flaw. Disappointments aren’t a cosmic punishment. They’re both just part of the contract.
The subtext reads like a survival strategy for an industry built on scrutiny and revision. In classic Hollywood, an actress’s “mistake” could mean anything from a bad film choice to a romantic misstep, then amplified into a cautionary tale. Disappointments, meanwhile, arrive disguised as studio politics, public narratives, and the steady refusal to let women age, change, or be complicated. Young’s phrasing refuses melodrama: no grand lesson, no redemption arc, just repetition and endurance. It’s a way of reclaiming scale.
There’s also an important emotional pivot in “receiving.” Disappointment is not “failing” but “receiving” - an unwanted delivery. That word choice quietly shifts blame away from the individual and onto the world’s expectations, timing, and other people’s decisions. The intent isn’t to excuse error; it’s to normalize the messiness that reputations try to edit out. In a culture obsessed with curating a spotless self, Young offers a cooler, sturdier posture: accept the inevitable, keep moving, don’t let either define you.
The subtext reads like a survival strategy for an industry built on scrutiny and revision. In classic Hollywood, an actress’s “mistake” could mean anything from a bad film choice to a romantic misstep, then amplified into a cautionary tale. Disappointments, meanwhile, arrive disguised as studio politics, public narratives, and the steady refusal to let women age, change, or be complicated. Young’s phrasing refuses melodrama: no grand lesson, no redemption arc, just repetition and endurance. It’s a way of reclaiming scale.
There’s also an important emotional pivot in “receiving.” Disappointment is not “failing” but “receiving” - an unwanted delivery. That word choice quietly shifts blame away from the individual and onto the world’s expectations, timing, and other people’s decisions. The intent isn’t to excuse error; it’s to normalize the messiness that reputations try to edit out. In a culture obsessed with curating a spotless self, Young offers a cooler, sturdier posture: accept the inevitable, keep moving, don’t let either define you.
Quote Details
| Topic | Learning from Mistakes |
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