"I think male roles are generally much better written. So for actresses, we're always dealing with trying to inject a role with more truth than the writer possibly had in mind"
About this Quote
Judy Davis isn’t complaining about a bad script so much as naming the quiet, exhausting second job many actresses are hired to do: salvage credibility. Her first clause lands like an industry aside everyone knows but rarely states plainly - male characters get the psychological interior, the contradictions, the plot leverage. Women too often get the function. Love interest, conscience, victim, prize. “Better written” here isn’t just about dialogue; it’s about permission to be complicated without being punished by the story.
Then she sharpens the blade. “Inject a role with more truth” frames acting as corrective surgery. The subtext is damning: the default imagination behind many female parts is thinner than the lived reality of women, so the performer has to smuggle in motive, history, and messiness. Davis’s phrasing also undercuts a romantic idea of acting as pure interpretation. She’s describing invention under constraint - not elevating text, but compensating for its blind spots.
The line “than the writer possibly had in mind” is where the cultural indictment sits. It implies not malice but limitation: a writers’ room (or auteur) that can’t, or won’t, see women as fully dimensional. Coming from Davis - a performer known for making razor-edged interiority feel unavoidable - the comment reads as both professional method and systemic critique. She’s pointing at why so many great actresses become synonymous with “making something out of nothing”: when the role arrives pre-flattened, truth becomes an act of resistance, not just craft.
Then she sharpens the blade. “Inject a role with more truth” frames acting as corrective surgery. The subtext is damning: the default imagination behind many female parts is thinner than the lived reality of women, so the performer has to smuggle in motive, history, and messiness. Davis’s phrasing also undercuts a romantic idea of acting as pure interpretation. She’s describing invention under constraint - not elevating text, but compensating for its blind spots.
The line “than the writer possibly had in mind” is where the cultural indictment sits. It implies not malice but limitation: a writers’ room (or auteur) that can’t, or won’t, see women as fully dimensional. Coming from Davis - a performer known for making razor-edged interiority feel unavoidable - the comment reads as both professional method and systemic critique. She’s pointing at why so many great actresses become synonymous with “making something out of nothing”: when the role arrives pre-flattened, truth becomes an act of resistance, not just craft.
Quote Details
| Topic | Writing |
|---|---|
| Source | Help us find the source |
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