"I think movies are good for getting into dream states or exploring weird alternate states of thinking"
About this Quote
Alex Winter’s line lands like a casual shrug, but it’s really a mission statement for a certain kind of moviegoer: the one who doesn’t come to cinema for “content,” but for altered consciousness. Framing films as a gateway to “dream states” sidesteps the prestige language of art and leans into something more honest and bodily. You’re not just watching a story; you’re letting a medium do what it uniquely does best: hijack attention, distort time, and make logic feel optional.
The wording matters. “Good for getting into” treats movies as a tool, almost like a ritual or a substance, with the audience as an active participant. Winter isn’t talking about escapism as avoidance; he’s describing exploration. “Weird alternate states of thinking” suggests curiosity, not comfort: the pleasure of being slightly unmoored, where images and sound can bypass your inner critic and speak to the subconscious. It’s an argument for sensation and mood over plot, for the kind of cinema that doesn’t resolve neatly because real dreams don’t, either.
Coming from Winter - an actor associated with pop-cultural surrealism and later a director drawn to subcultures and eccentric thinkers - the quote also reads as a defense of the strange. In an era when movies are often judged by takes, discourse, and moral clarity, he’s reminding you that their oldest power is hypnosis: a dark room, a flicker, and permission to think differently for two hours.
The wording matters. “Good for getting into” treats movies as a tool, almost like a ritual or a substance, with the audience as an active participant. Winter isn’t talking about escapism as avoidance; he’s describing exploration. “Weird alternate states of thinking” suggests curiosity, not comfort: the pleasure of being slightly unmoored, where images and sound can bypass your inner critic and speak to the subconscious. It’s an argument for sensation and mood over plot, for the kind of cinema that doesn’t resolve neatly because real dreams don’t, either.
Coming from Winter - an actor associated with pop-cultural surrealism and later a director drawn to subcultures and eccentric thinkers - the quote also reads as a defense of the strange. In an era when movies are often judged by takes, discourse, and moral clarity, he’s reminding you that their oldest power is hypnosis: a dark room, a flicker, and permission to think differently for two hours.
Quote Details
| Topic | Movie |
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