"I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin"

Zooey Deschanel's quote highlights the intersection between her understanding of music and the influential world of jazz-- a category differentiated by its abundant, complicated structures and improvisational nature. By referencing "jazz theory," Deschanel acknowledges the elaborate musical structures that underpin jazz, a category commemorated for its ingenious techniques to composition and harmony. This fundamental understanding suggests that her musical workmanship likely gain from the extensive research study of jazz's chord developments, scales, and balanced complexities, all of which contribute to its unique noise.

When Deschanel points out "a lot of the writers of standards - Rodgers and Hart, and Gershwin," she is paying homage to essential figures in the Great American Songbook, whose works have actually left an enduring mark on both jazz and music. Richard Rodgers, Lorenz Hart, and George Gershwin are renowned for their development of timeless songs that effortlessly mix elaborate melodies with evocative lyrics. Their compositions regularly serve as the foundation for jazz standards-- pieces that invite reinterpretation and improvisation by jazz artists across generations.

Deschanel's recommendation of these writers implies that their compositions not only shape her understanding of harmony and melody but likewise influence a sense of lyrical crafting and storytelling in her own work. Jazz theory, integrated with the impact of these legendary authors, gears up Deschanel with a flexible and extensive toolkit for songwriting.

In addition, Deschanel's referral underscores the interconnectedness of various musical styles. The crossover appeal of jazz into the realm of requirements bridges varied musical traditions, enabling contemporary artists like Deschanel to draw from an abundant tapestry of impacts. By rooting her knowledge in jazz and composers like Rodgers, Hart, and Gershwin, she aligns herself with a tradition of musical development and emotional depth, suggesting her work embodies a mix of these sophisticated, historic designs with her own innovative voice.