"I think my speeches are hilarious. I think I'm a natural comedian, but I like denying people the chance to laugh. I want to deny you the relief of the punchline"
About this Quote
Lunch is weaponizing timing the way most performers weaponize charisma. She frames her “speeches” as comedy not to charm an audience, but to set a trap: if she can generate the expectation of laughter, she can also withhold it and make the room sit in the ache of what’s being said. The “punchline” becomes a pressure valve she refuses to open.
That’s classic Lydia Lunch: the no-wave/post-punk ethos where provocation isn’t a gimmick, it’s an ethic. She came up in scenes that treated art as confrontation and comfort as suspect. In that context, denying laughter is a political move as much as an aesthetic one. Comedy offers plausible deniability; you can smuggle ugliness in under the cover of “just kidding.” Lunch flips that: she smuggles comedy in under the cover of ugliness, then cancels the escape route. You don’t get to giggle and wash your hands of complicity.
The line also drags the audience into the performance as a co-author. “I like denying people” is bluntly adversarial, almost sadistic, but it’s also honest about the power dynamic we pretend isn’t there. A crowd wants catharsis; she wants accountability. If you laugh, you’re released. If you can’t, you’re stuck noticing your own appetite for relief.
It works because it tells on the entire entertainment contract: we show up wanting to feel something safely, and she insists that safety is the real joke.
That’s classic Lydia Lunch: the no-wave/post-punk ethos where provocation isn’t a gimmick, it’s an ethic. She came up in scenes that treated art as confrontation and comfort as suspect. In that context, denying laughter is a political move as much as an aesthetic one. Comedy offers plausible deniability; you can smuggle ugliness in under the cover of “just kidding.” Lunch flips that: she smuggles comedy in under the cover of ugliness, then cancels the escape route. You don’t get to giggle and wash your hands of complicity.
The line also drags the audience into the performance as a co-author. “I like denying people” is bluntly adversarial, almost sadistic, but it’s also honest about the power dynamic we pretend isn’t there. A crowd wants catharsis; she wants accountability. If you laugh, you’re released. If you can’t, you’re stuck noticing your own appetite for relief.
It works because it tells on the entire entertainment contract: we show up wanting to feel something safely, and she insists that safety is the real joke.
Quote Details
| Topic | Sarcastic |
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