"I think of art as the highest level of creativity. To me, it is one of the greatest sources of enjoyment"
About this Quote
Rockefeller isn’t just praising art; he’s quietly rebranding power. Coming from one of the 20th century’s most consequential capitalists, “the highest level of creativity” reads less like an artist’s manifesto than a patron’s creed: creativity is admirable, but it’s also something you can curate, acquire, and install in the public record. The phrasing is tellingly personal and measured. “I think,” “to me,” “one of” - hedges that soften what could otherwise sound like a declaration from a man used to declarations. Taste, here, is diplomacy.
The subtext sits in the pivot from hierarchy to pleasure. By ranking art as the apex of creativity, he elevates it above the innovation typically lionized in business. Then he grounds that elevation in “enjoyment,” a word that sounds modest but carries cultural authority: the collector’s pleasure becomes a legitimizing frame. It implies a worldview where art’s value is both transcendent and safely consumable - not primarily disruptive, not necessarily political, certainly not threatening to the systems that made Rockefeller a Rockefeller.
Context matters. Rockefeller wasn’t a casual museum-goer; he embodied the American tradition of elite cultural stewardship, where philanthropy and collecting function as reputation management, civic branding, and moral ballast. In that light, the quote works as a compact argument for why immense wealth should be taken seriously: because it can recognize “the highest” human achievements, fund them, and enjoy them. The line isn’t cynical, exactly, but it is strategic - a graceful way to make culture feel like a natural extension of capital rather than its counterweight.
The subtext sits in the pivot from hierarchy to pleasure. By ranking art as the apex of creativity, he elevates it above the innovation typically lionized in business. Then he grounds that elevation in “enjoyment,” a word that sounds modest but carries cultural authority: the collector’s pleasure becomes a legitimizing frame. It implies a worldview where art’s value is both transcendent and safely consumable - not primarily disruptive, not necessarily political, certainly not threatening to the systems that made Rockefeller a Rockefeller.
Context matters. Rockefeller wasn’t a casual museum-goer; he embodied the American tradition of elite cultural stewardship, where philanthropy and collecting function as reputation management, civic branding, and moral ballast. In that light, the quote works as a compact argument for why immense wealth should be taken seriously: because it can recognize “the highest” human achievements, fund them, and enjoy them. The line isn’t cynical, exactly, but it is strategic - a graceful way to make culture feel like a natural extension of capital rather than its counterweight.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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