"I think once we started directing separately - we each have different kinds of interests now, and the kinds of movies we want to do. I wouldn't hold your breath for that one"
About this Quote
Creative breakups are usually narrated like amicable divorces: mutual respect, different paths, maybe a reunion someday. David Zucker refuses that script. "I wouldn't hold your breath for that one" is a deadpan mic drop, the kind of gag timing you can hear even on the page. Coming from a director synonymous with machine-gun punchlines and ruthless parody, the line lands as both professional update and a small act of comic sabotage: he deflates the audience's nostalgia before it can swell into a headline.
The first half does the polite work. "Different kinds of interests now" is industry-speak that avoids naming grievances. It's the language of press junkets and careful relationships, a way of saying the collaboration ended without inviting anyone to litigate why. But the pivot matters. Zucker doesn't just say a reunion is unlikely; he frames hope itself as foolish physiology. Holding your breath is what fans do while waiting for a sequel that will restore a past era's magic. He implies that kind of waiting isn't just naive, it's self-harm.
Context sharpens the edge: Zucker's legacy is tied to collaborative comedy engines (the Zucker-Abrahams-Zucker team) that defined an era of spoof filmmaking. Fans treat those partnerships like brands. His remark pushes back against that consumer fantasy. It's also a declaration of authorship: the "we" fractures into "I" with its own appetites and ambitions. The joke is protective armor, but it's also a boundary: the past is not a project pipeline, and he doesn't owe anyone a reunion tour.
The first half does the polite work. "Different kinds of interests now" is industry-speak that avoids naming grievances. It's the language of press junkets and careful relationships, a way of saying the collaboration ended without inviting anyone to litigate why. But the pivot matters. Zucker doesn't just say a reunion is unlikely; he frames hope itself as foolish physiology. Holding your breath is what fans do while waiting for a sequel that will restore a past era's magic. He implies that kind of waiting isn't just naive, it's self-harm.
Context sharpens the edge: Zucker's legacy is tied to collaborative comedy engines (the Zucker-Abrahams-Zucker team) that defined an era of spoof filmmaking. Fans treat those partnerships like brands. His remark pushes back against that consumer fantasy. It's also a declaration of authorship: the "we" fractures into "I" with its own appetites and ambitions. The joke is protective armor, but it's also a boundary: the past is not a project pipeline, and he doesn't owe anyone a reunion tour.
Quote Details
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