"I think people have to set up little battles. They have to demonize people whom they disagree with or feel threatened by. But it's the ideological framing of the debate that scares me"
About this Quote
Kruger’s line lands like one of her text-on-image interventions: blunt, diagnostic, and aimed at the machinery of public feeling. “Little battles” isn’t cute; it’s a scale model of war, the kind we stage every day in comment sections, family group chats, and cable news chyrons. The phrase exposes how conflict becomes a hobby, a social currency, even a self-soothing ritual. People don’t just disagree; they recruit villains. “Demonize” is doing heavy work here, naming the moral shortcut that turns a complicated opponent into an object you can hate without thinking too hard.
The sting is in her pivot: what scares her isn’t merely hostility, it’s “the ideological framing.” Kruger isn’t claiming neutrality so much as warning about the packaging. Ideology, in her view, is less a set of ideas than a lens that pre-selects what counts as reality. Once the frame is locked, facts become props, empathy becomes weakness, and any nuance reads as betrayal. The fight stops being about an issue and becomes about preserving identity.
Context matters: Kruger emerged from a world of advertising and mass media, and her art has long dissected how images and slogans manufacture consent. So this quote isn’t hand-wringing about civility; it’s a critique of design. If you can control the frame, you can mass-produce enemies. Her fear is that we’ll keep mistaking that framing for truth, and keep calling the resulting polarization “debate,” when it’s really branding.
The sting is in her pivot: what scares her isn’t merely hostility, it’s “the ideological framing.” Kruger isn’t claiming neutrality so much as warning about the packaging. Ideology, in her view, is less a set of ideas than a lens that pre-selects what counts as reality. Once the frame is locked, facts become props, empathy becomes weakness, and any nuance reads as betrayal. The fight stops being about an issue and becomes about preserving identity.
Context matters: Kruger emerged from a world of advertising and mass media, and her art has long dissected how images and slogans manufacture consent. So this quote isn’t hand-wringing about civility; it’s a critique of design. If you can control the frame, you can mass-produce enemies. Her fear is that we’ll keep mistaking that framing for truth, and keep calling the resulting polarization “debate,” when it’s really branding.
Quote Details
| Topic | Ethics & Morality |
|---|---|
| Source | Help us find the source |
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