"I think people in Hollywood are afraid of sentiment because they think audiences will reject it"
About this Quote
Hollywood has gotten so fluent in self-protection that it now treats sincerity like a production risk. Leonard Maltin’s line lands because it diagnoses a very particular industry paranoia: the fear that open feeling reads as corny, manipulative, or - worst of all - uncool. Sentiment isn’t dismissed on artistic grounds so much as on market intelligence grounds. The imagined audience becomes a harsh internal editor, a focus-group phantom that punishes anything that might be memed as cringe.
Maltin’s intent is less nostalgic than corrective. Coming from a critic who’s spent decades watching the medium’s pendulum swing, he’s pointing at an aesthetic arms race: irony as armor, quips as a pressure valve, darkness as credibility. Studios learn to pre-empt criticism by building it into the script. If the movie winks at its own emotions, it can claim it never fully meant them. That’s not sophistication; it’s liability management.
The subtext is that Hollywood’s fear is also a misread of audiences. People don’t reject sentiment; they reject being patronized. They can smell when a score is instructing them to cry, or when a character’s trauma is a shortcut to “importance.” The problem isn’t feeling, it’s counterfeit feeling.
Contextually, Maltin is talking into an era of franchise filmmaking and algorithmic assumptions about taste, where the safest tone is “detached but competent.” His critique needles a culture that confuses emotional restraint with intelligence - and forgets that the most durable pop art, from classic melodramas to modern animation, earns its tears by being brave enough to play it straight.
Maltin’s intent is less nostalgic than corrective. Coming from a critic who’s spent decades watching the medium’s pendulum swing, he’s pointing at an aesthetic arms race: irony as armor, quips as a pressure valve, darkness as credibility. Studios learn to pre-empt criticism by building it into the script. If the movie winks at its own emotions, it can claim it never fully meant them. That’s not sophistication; it’s liability management.
The subtext is that Hollywood’s fear is also a misread of audiences. People don’t reject sentiment; they reject being patronized. They can smell when a score is instructing them to cry, or when a character’s trauma is a shortcut to “importance.” The problem isn’t feeling, it’s counterfeit feeling.
Contextually, Maltin is talking into an era of franchise filmmaking and algorithmic assumptions about taste, where the safest tone is “detached but competent.” His critique needles a culture that confuses emotional restraint with intelligence - and forgets that the most durable pop art, from classic melodramas to modern animation, earns its tears by being brave enough to play it straight.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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