"I think politics can no longer be assigned to parliamentary activity and it probably never could be. But politics with a small p and the history of trade union movement really interests me"
About this Quote
Burrows is doing two things at once: demoting “Politics” as performance, and rescuing “politics” as lived experience. The first sentence lands like a sideways shrug at Westminster theater - the idea that public life can be neatly contained inside a chamber, a party whip, a televised vote. “Probably never could be” sharpens the critique: this isn’t a recent failure of institutions so much as an original limitation. Parliament becomes branding, not ballast.
Then she pivots to “small p,” a phrase that works as both humility and a quiet flex. It signals seriousness without the chest-thumping partisanship that celebrities are often punished for. She’s claiming a lane: the granular, unglamorous politics of wages, hours, solidarity, and who gets to bargain. By naming the trade union movement, she anchors her interest in a tradition that’s materially consequential and historically messy - not a set of vibes, but a record of organized conflict that actually changed people’s lives.
The subtext is a rebuttal to the expectation that an actress must either stay “apolitical” or deliver hot takes. Burrows frames her engagement as historically literate rather than trend-driven, implying that the real story of power isn’t only written in speeches but in strikes, shop floors, and collective leverage. In a media culture that treats politics as a spectator sport, she’s pointing to the backstage machinery: who does the work, who sets the terms, and how ordinary people learned to negotiate with the state and capital.
Then she pivots to “small p,” a phrase that works as both humility and a quiet flex. It signals seriousness without the chest-thumping partisanship that celebrities are often punished for. She’s claiming a lane: the granular, unglamorous politics of wages, hours, solidarity, and who gets to bargain. By naming the trade union movement, she anchors her interest in a tradition that’s materially consequential and historically messy - not a set of vibes, but a record of organized conflict that actually changed people’s lives.
The subtext is a rebuttal to the expectation that an actress must either stay “apolitical” or deliver hot takes. Burrows frames her engagement as historically literate rather than trend-driven, implying that the real story of power isn’t only written in speeches but in strikes, shop floors, and collective leverage. In a media culture that treats politics as a spectator sport, she’s pointing to the backstage machinery: who does the work, who sets the terms, and how ordinary people learned to negotiate with the state and capital.
Quote Details
| Topic | Human Rights |
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