"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing"
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Ornstein is quietly arguing that technology didn’t just preserve music; it changed the social contract around listening. Recordings turn a fleeting, one-time encounter into a repeatable puzzle you can take home. For a composer associated with early modernist shock and complexity, that matters: what once landed as bewildering noise in a concert hall becomes something you can rewind, re-hear, and gradually domesticate. The line “a push to the world” is doing heavy lifting. It frames difficult music not as an elitist gatekeeping exercise but as a kind of invitation - even a dare - extended to anyone with access to playback.
The subtext is a defense of the “complicated” in an age that often demands immediate legibility. Ornstein implies that misunderstanding isn’t a failure; it’s the start of engagement, and recordings create the conditions for that engagement to actually happen. Complexity stops being a one-night humiliation and becomes an ongoing relationship.
Context sharpens the point. Ornstein lived through the transformation from live performance as the primary mode of musical life to an era where interpretation, memory, and authority are mediated by discs and tape. Recording culture also redistributes power: listeners can scrutinize details, compare performances, build private expertise. That’s democratizing, but it’s also quietly disciplinary. The music is no longer allowed to vanish; it can be audited. Ornstein’s optimism lands as both practical and slightly utopian: give people the tool to listen again, and they’ll rise to the challenge.
The subtext is a defense of the “complicated” in an age that often demands immediate legibility. Ornstein implies that misunderstanding isn’t a failure; it’s the start of engagement, and recordings create the conditions for that engagement to actually happen. Complexity stops being a one-night humiliation and becomes an ongoing relationship.
Context sharpens the point. Ornstein lived through the transformation from live performance as the primary mode of musical life to an era where interpretation, memory, and authority are mediated by discs and tape. Recording culture also redistributes power: listeners can scrutinize details, compare performances, build private expertise. That’s democratizing, but it’s also quietly disciplinary. The music is no longer allowed to vanish; it can be audited. Ornstein’s optimism lands as both practical and slightly utopian: give people the tool to listen again, and they’ll rise to the challenge.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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