"I think sequels should be earned and we won't do it unless the script is better than the first one"
About this Quote
Sequels, in Jay Roach's framing, are less a business model than a moral test: if you want a second bite, you need to prove you deserve it. The line sounds modest, but it’s also a power move. By declaring that a follow-up must be “earned,” Roach positions himself and his team as stewards of audience trust, not just vendors responding to market demand. That word carries the subtext of labor and risk; it implies that most sequels are lazy by default, greenlit on recognition alone.
The sharper edge is in the second clause: “we won’t do it unless the script is better than the first one.” Better is a high bar in an industry that often treats “as good as” as acceptable and “familiar” as a feature. Roach is quietly shifting the metric from brand to writing, from nostalgia to structure, character, and jokes that land without leaning on repetition. It’s also a way of inoculating against cynicism. Audiences have learned to approach sequels like product updates: more of the same, with louder packaging. Roach is offering a different contract.
Context matters because Roach’s filmography lives at the intersection of mainstream comedy and studio machinery (Austin Powers, Meet the Parents, Bombshell). He knows franchises are lucrative, but he’s also aware that comedy sequels are especially fragile: once the surprise is gone, only craft can replace it. The quote isn’t anti-sequel; it’s anti-automatic. In 2026’s IP-saturated landscape, that distinction is the real flex.
The sharper edge is in the second clause: “we won’t do it unless the script is better than the first one.” Better is a high bar in an industry that often treats “as good as” as acceptable and “familiar” as a feature. Roach is quietly shifting the metric from brand to writing, from nostalgia to structure, character, and jokes that land without leaning on repetition. It’s also a way of inoculating against cynicism. Audiences have learned to approach sequels like product updates: more of the same, with louder packaging. Roach is offering a different contract.
Context matters because Roach’s filmography lives at the intersection of mainstream comedy and studio machinery (Austin Powers, Meet the Parents, Bombshell). He knows franchises are lucrative, but he’s also aware that comedy sequels are especially fragile: once the surprise is gone, only craft can replace it. The quote isn’t anti-sequel; it’s anti-automatic. In 2026’s IP-saturated landscape, that distinction is the real flex.
Quote Details
| Topic | Movie |
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