"I think she said I should seek help. Something like that, but it was in much cruder terms. And that I had a fascination with things coming out of people's mouths"
About this Quote
Raimi delivers the line like a sheepish confession, but it’s really a mission statement disguised as self-deprecation. The comic rhythm is doing the heavy lifting: “I think she said” and “Something like that” are classic softeners, the verbal equivalent of backing away with your hands up. Then he snaps the tension with “much cruder terms,” letting the audience fill in the insult and laugh at the gap between polite retelling and whatever was actually said. It’s a director’s trick: imply the gore, don’t show it, and it lands harder.
The “seek help” bit frames his aesthetic as a minor pathology, which is both a cultural dodge and a flex. Horror filmmakers often get treated like they’re confessing a kink rather than discussing craft; Raimi plays along, turning potential judgment into charm. The last clause, “a fascination with things coming out of people’s mouths,” is grotesque in a way that’s oddly specific, which makes it feel true. It nods to his signature mix of slapstick and body horror: the human body as a malfunctioning prop, fluids and objects erupting where they shouldn’t, terror staged with a Three Stooges timing.
Contextually, Raimi’s career has always lived in that collision zone: Evil Dead’s homemade splatter as punk ingenuity, later polished into studio spectacle without losing the cartoonish cruelty. The subtext is that “help” isn’t the point; the fascination is the engine. He’s not apologizing for his obsessions so much as translating them into a joke the mainstream can safely swallow.
The “seek help” bit frames his aesthetic as a minor pathology, which is both a cultural dodge and a flex. Horror filmmakers often get treated like they’re confessing a kink rather than discussing craft; Raimi plays along, turning potential judgment into charm. The last clause, “a fascination with things coming out of people’s mouths,” is grotesque in a way that’s oddly specific, which makes it feel true. It nods to his signature mix of slapstick and body horror: the human body as a malfunctioning prop, fluids and objects erupting where they shouldn’t, terror staged with a Three Stooges timing.
Contextually, Raimi’s career has always lived in that collision zone: Evil Dead’s homemade splatter as punk ingenuity, later polished into studio spectacle without losing the cartoonish cruelty. The subtext is that “help” isn’t the point; the fascination is the engine. He’s not apologizing for his obsessions so much as translating them into a joke the mainstream can safely swallow.
Quote Details
| Topic | Dark Humor |
|---|
More Quotes by Sam
Add to List

