"I think that all of us either lose touch with the child inside us or try and hold onto it because it so precious to us and it's such an extraordinary part of our lives"
About this Quote
Kingsley’s line lands because it treats “the child inside” less like a self-help slogan and more like a pressure point: you don’t casually “grow up,” you either misplace something vital or you cling to it like contraband. The phrasing sets up a quiet binary - lose touch or hold on - that mirrors the way adulthood often works in practice. It’s not that maturity kills wonder; it crowds it out. What’s “precious” isn’t childishness as irresponsibility, but the early, unarmored instincts that make creativity possible: curiosity without a pitch deck, play without a product, feeling without a PR strategy.
As an actor, Kingsley is also talking shop. Performance depends on the capacity to pretend with full sincerity, to enter make-believe without irony. That’s childhood behavior, but disciplined. The subtext is a defense of imagination as labor, not luxury: the child is not a mascot for nostalgia, it’s the engine that keeps an artist psychologically available. Lose it and you get technique without pulse; clutch it too hard and you risk becoming precious, performing innocence instead of accessing it.
Contextually, the quote fits a culture that rewards cynicism as sophistication. Kingsley pushes back with a gentler provocation: what if the truly “adult” move is protecting the part of you that still risks wonder? Not to regress, but to stay permeable in a world that trains you to seal yourself off.
As an actor, Kingsley is also talking shop. Performance depends on the capacity to pretend with full sincerity, to enter make-believe without irony. That’s childhood behavior, but disciplined. The subtext is a defense of imagination as labor, not luxury: the child is not a mascot for nostalgia, it’s the engine that keeps an artist psychologically available. Lose it and you get technique without pulse; clutch it too hard and you risk becoming precious, performing innocence instead of accessing it.
Contextually, the quote fits a culture that rewards cynicism as sophistication. Kingsley pushes back with a gentler provocation: what if the truly “adult” move is protecting the part of you that still risks wonder? Not to regress, but to stay permeable in a world that trains you to seal yourself off.
Quote Details
| Topic | Youth |
|---|---|
| Source | Help us find the source |
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