"I think that anyone who's pushed to do the very best that they can is privileged. It's a luxury"
About this Quote
Privilege usually gets framed as money, access, pedigree. Twyla Tharp yanks it back to something more intimate: being demanded of. In her world, pressure is not a trauma to be avoided but a rare resource, because it implies you have a stage worth stepping onto and people who believe your effort will matter.
The line works because it flips the contemporary script where “pushed” often reads as exploitation. Tharp’s subtext is sharper: most people aren’t crushed by too much expectation; they’re dulled by too little. To be held to “the very best” requires infrastructure - time, training, safe-enough failure, bodies that can recover, mentors who correct you without erasing you. That’s the luxury. It’s not the velvet-rope version of comfort; it’s the expensive kind of difficulty.
Context matters: Tharp came up in a postwar American arts ecosystem where discipline was practically a civic virtue and modern dance was busy arguing for its seriousness. Her career has been built on rigor and repetition, on treating creativity like a job you show up for. So “privileged” here isn’t a moral badge; it’s a reminder that excellence is social. No one self-actualizes in a vacuum.
There’s a bracing challenge embedded in her phrasing. If being pushed is a luxury, then institutions, teachers, and leaders have a responsibility to distribute that luxury more fairly - and individuals have to stop romanticizing talent as effortless. Tharp is defending the hard ask: the demand that turns potential into craft.
The line works because it flips the contemporary script where “pushed” often reads as exploitation. Tharp’s subtext is sharper: most people aren’t crushed by too much expectation; they’re dulled by too little. To be held to “the very best” requires infrastructure - time, training, safe-enough failure, bodies that can recover, mentors who correct you without erasing you. That’s the luxury. It’s not the velvet-rope version of comfort; it’s the expensive kind of difficulty.
Context matters: Tharp came up in a postwar American arts ecosystem where discipline was practically a civic virtue and modern dance was busy arguing for its seriousness. Her career has been built on rigor and repetition, on treating creativity like a job you show up for. So “privileged” here isn’t a moral badge; it’s a reminder that excellence is social. No one self-actualizes in a vacuum.
There’s a bracing challenge embedded in her phrasing. If being pushed is a luxury, then institutions, teachers, and leaders have a responsibility to distribute that luxury more fairly - and individuals have to stop romanticizing talent as effortless. Tharp is defending the hard ask: the demand that turns potential into craft.
Quote Details
| Topic | Work Ethic |
|---|---|
| Source | Help us find the source |
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