"I think that for the most part, when I started doing comedy, it had become very commercialized"
About this Quote
Larry David’s gripe lands because it’s less a nostalgia rant than a diagnosis of what happens when a subculture becomes an industry. “For the most part” and “I think” aren’t hedges so much as the language of a comic who’s wary of sermonizing; he’s staking a claim while pretending he isn’t. Then comes the real charge: comedy didn’t just get popular, it got “commercialized” - shaped by incentives that reward safe laughs, recognizable personas, and repeatable formats over risk, ambiguity, or the kind of awkward truth David later made his brand.
The context matters. David came up in the late 1970s and early 1980s, when stand-up and TV comedy were exploding into mass entertainment: club circuits feeding network appearances, managers and agents professionalizing a scene that had recently been weirder, smaller, and less market-tested. “Commercialized” is a blunt word, but it’s doing precise work: it implies not merely selling out, but being designed to sell. The joke becomes a product; the comedian becomes a unit of content; the audience becomes a demographic.
There’s subtextual self-implication, too. David is one of the people who mastered the machine - from SNL to Seinfeld to Curb - and he’s talking like an insider who knows exactly how the sausage gets made. The line carries a quiet lament: if the game is built around broad appeal, the truly specific, uncomfortable kind of funny has to fight for oxygen. David’s career is that fight, turned into art.
The context matters. David came up in the late 1970s and early 1980s, when stand-up and TV comedy were exploding into mass entertainment: club circuits feeding network appearances, managers and agents professionalizing a scene that had recently been weirder, smaller, and less market-tested. “Commercialized” is a blunt word, but it’s doing precise work: it implies not merely selling out, but being designed to sell. The joke becomes a product; the comedian becomes a unit of content; the audience becomes a demographic.
There’s subtextual self-implication, too. David is one of the people who mastered the machine - from SNL to Seinfeld to Curb - and he’s talking like an insider who knows exactly how the sausage gets made. The line carries a quiet lament: if the game is built around broad appeal, the truly specific, uncomfortable kind of funny has to fight for oxygen. David’s career is that fight, turned into art.
Quote Details
| Topic | Art |
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