"I think that music is a great healer, but it can also be a great divider"
About this Quote
Crow’s line lands because it refuses the sugary myth of music as pure balm. Coming from a mainstream songwriter who’s spent decades watching audiences sing the same chorus in unison, “great healer” reads as earned testimony: music can steady grief, metabolize anger, give people language when everyday speech fails. It’s what happens in the car after bad news, or in a stadium when strangers briefly become a choir.
Then she pivots: “but it can also be a great divider.” The sting is in how casually true it is. Music doesn’t just soundtrack identity; it manufactures it. Taste becomes tribe. Genres map onto class, race, region, politics. A playlist can be a handshake or a border wall. Even the idea of “good music” is often code for “people like me.”
The subtext is about power, not melody. Music is one of the fastest ways to move a crowd, which is why it’s been used for protest and propaganda, liberation and recruitment. The same communal rush that heals can harden into “us vs. them” once a song becomes an anthem, once fandom becomes a worldview, once an artist’s persona gets drafted into culture war service.
Crow’s intent feels pragmatic, almost parental: enjoy the medicine, but watch the dosage. Music can connect people across difference, but it can just as easily turn difference into a rallying cry. The point isn’t to fear music; it’s to be honest about how much social force we tuck inside a three-minute song.
Then she pivots: “but it can also be a great divider.” The sting is in how casually true it is. Music doesn’t just soundtrack identity; it manufactures it. Taste becomes tribe. Genres map onto class, race, region, politics. A playlist can be a handshake or a border wall. Even the idea of “good music” is often code for “people like me.”
The subtext is about power, not melody. Music is one of the fastest ways to move a crowd, which is why it’s been used for protest and propaganda, liberation and recruitment. The same communal rush that heals can harden into “us vs. them” once a song becomes an anthem, once fandom becomes a worldview, once an artist’s persona gets drafted into culture war service.
Crow’s intent feels pragmatic, almost parental: enjoy the medicine, but watch the dosage. Music can connect people across difference, but it can just as easily turn difference into a rallying cry. The point isn’t to fear music; it’s to be honest about how much social force we tuck inside a three-minute song.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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