"I think that one's art is a growth inside one. I do not think one can explain growth. It is silent and subtle. One does not keep digging up a plant to see how it grows"
About this Quote
Carr frames artistic development as biology, not bureaucracy, and the metaphor is doing quiet but forceful cultural work. By calling art "a growth inside one", she rejects the era's demand for tidy artist statements, labels, and externally legible progress. Growth is not a performance; it is an internal metabolism. The insistence that it "cannot" be explained isn't anti-intellectual so much as anti-accounting: a refusal to reduce the messy, private churn of perception into something easily marketable or teachable.
The plant image lands because it scolds a very modern impatience: the compulsion to audit the self. "One does not keep digging up a plant" skewers the nervous habit of overchecking, overcritiquing, and overtalking the work into paralysis. Digging is inquiry, but it's also violence; it turns care into interference. In Carr's hands, the warning is less mystical than practical: constant self-explanation can damage the very conditions that let art take root, the way too much feedback can flatten an emerging voice into consensus.
Context matters. Carr worked on the margins of Canada's art establishment, often isolated, often late-recognized, painting forests and Indigenous village sites with a fierce attentiveness that didn't always fit prevailing tastes. Her quote reads like a defensive clarity earned through that experience: when institutions and audiences don't understand you, the temptation is to excavate yourself for proof. Carr argues for patience instead: tend the soil, keep working, let the evidence be the living thing.
The plant image lands because it scolds a very modern impatience: the compulsion to audit the self. "One does not keep digging up a plant" skewers the nervous habit of overchecking, overcritiquing, and overtalking the work into paralysis. Digging is inquiry, but it's also violence; it turns care into interference. In Carr's hands, the warning is less mystical than practical: constant self-explanation can damage the very conditions that let art take root, the way too much feedback can flatten an emerging voice into consensus.
Context matters. Carr worked on the margins of Canada's art establishment, often isolated, often late-recognized, painting forests and Indigenous village sites with a fierce attentiveness that didn't always fit prevailing tastes. Her quote reads like a defensive clarity earned through that experience: when institutions and audiences don't understand you, the temptation is to excavate yourself for proof. Carr argues for patience instead: tend the soil, keep working, let the evidence be the living thing.
Quote Details
| Topic | Art |
|---|
More Quotes by Emily
Add to List



