"I think that the quality of all bands is steadily improving and it is a pleasant thought to me that perhaps the efforts of Sousa's Band have quickened that interest and improved that quality"
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Sousa is doing something sly here: praising everyone while quietly centering himself as the catalyst. On the surface, it reads like genial elder-statesman optimism - bands are getting better, audiences are more interested, isn’t that nice. Underneath, it’s a carefully calibrated claim of influence, delivered in the disarming key of modesty. He doesn’t declare that Sousa’s Band raised the bar; he floats the possibility that it "perhaps" helped. The hedge is the point. It lets him take credit without sounding vain, a rhetorical move that plays perfectly with American tastes for humility wrapped around ambition.
The context matters: Sousa wasn’t just a composer and conductor; he was a brand and a touring machine at a moment when mass entertainment was consolidating. Concert bands were competing with vaudeville, ragtime, early recordings, and the shifting habits of a public discovering new ways to hear music. By talking about "quality" and "interest" together, Sousa links artistry to audience development, implying that better musicianship and broader appeal can grow in tandem - a modern argument for cultural uplift that doesn’t sneer at popularity.
There’s also a subtle defense of his own project. If bands are improving across the board, Sousa’s work looks less like mere showmanship and more like institution-building: training standards, repertoire expectations, professional discipline. It’s PR, but the kind that lands because it feels like civic pride rather than self-promotion.
The context matters: Sousa wasn’t just a composer and conductor; he was a brand and a touring machine at a moment when mass entertainment was consolidating. Concert bands were competing with vaudeville, ragtime, early recordings, and the shifting habits of a public discovering new ways to hear music. By talking about "quality" and "interest" together, Sousa links artistry to audience development, implying that better musicianship and broader appeal can grow in tandem - a modern argument for cultural uplift that doesn’t sneer at popularity.
There’s also a subtle defense of his own project. If bands are improving across the board, Sousa’s work looks less like mere showmanship and more like institution-building: training standards, repertoire expectations, professional discipline. It’s PR, but the kind that lands because it feels like civic pride rather than self-promotion.
Quote Details
| Topic | Music |
|---|---|
| Source | Help us find the source |
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