"I think that we had a really loyal, great audience on Tuesdays and we were hoping that with the move, they would come with us. It looks like they have, so things are good and we are going to keep building"
About this Quote
Network TV lives and dies on habit, and Sarah Chalke is talking like someone who’s survived long enough to respect it. The “Tuesdays” detail isn’t trivia; it’s the quiet acknowledgment that audiences aren’t just fans, they’re routines. People don’t merely watch a show, they slot it into their week. When a series changes nights, it’s not a scheduling tweak, it’s a stress test: will viewers rewire their lives for you, or will you vanish into the churn?
Chalke’s language is careful, almost managerial. “Loyal, great audience” is gratitude, but also a public signal to the network: we’ve got a base worth protecting. “We were hoping” softens what’s really at stake - anxiety about ratings, cancellation, and the blunt economics that decide whether a cast keeps its jobs. Then comes the measured relief: “It looks like they have.” Not “they did,” not triumph, just a cautious reading of early numbers, the kind of optimism you offer when you know a single bad week can change the narrative.
The ending - “things are good and we are going to keep building” - is classic promotional resilience. It frames the move as momentum, not disruption. Subtext: stay with us, keep showing up, prove the experiment worked. In an era when viewers could already drift to cable, DVDs, or emerging on-demand options, that plea for continuity is really about survival dressed up as confidence.
Chalke’s language is careful, almost managerial. “Loyal, great audience” is gratitude, but also a public signal to the network: we’ve got a base worth protecting. “We were hoping” softens what’s really at stake - anxiety about ratings, cancellation, and the blunt economics that decide whether a cast keeps its jobs. Then comes the measured relief: “It looks like they have.” Not “they did,” not triumph, just a cautious reading of early numbers, the kind of optimism you offer when you know a single bad week can change the narrative.
The ending - “things are good and we are going to keep building” - is classic promotional resilience. It frames the move as momentum, not disruption. Subtext: stay with us, keep showing up, prove the experiment worked. In an era when viewers could already drift to cable, DVDs, or emerging on-demand options, that plea for continuity is really about survival dressed up as confidence.
Quote Details
| Topic | Success |
|---|---|
| Source | Help us find the source |
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