"I think that when NASA works on a moon shot, they know too well that all of the people working on it must do their job at 110 percent. Sometimes they probably put in 18 hour days, but they're aiming for the moon, and that's what counts"
About this Quote
Hamlisch borrows NASA not to fetishize rockets, but to smuggle a standard of seriousness into a world that often gets dismissed as “just entertainment.” Coming from a composer who lived inside deadline culture, the moon shot is less about patriotism than about process: big outcomes are really the sum of small, brutally competent tasks done without drama or excuses. “110 percent” is classic motivational shorthand, but he tightens it with the concrete image of “18 hour days,” turning a cliché into a lived schedule. You can hear the pit orchestra in it: the show only works if everyone hits their mark.
The subtext is both aspirational and corrective. Hamlisch is quietly arguing that artistry isn’t a mysterious spark; it’s systems, collaboration, and sweat. By choosing NASA, he picks a team effort the public automatically respects, then implies that any ambitious production - a score, a film, a Broadway opening - deserves the same respect for labor and coordination. There’s also a gentle rebuke to people who want excellence without paying its costs: sleep, comfort, ego.
Context matters: Hamlisch’s career sat at the intersection of pop success, film scoring, and Broadway, industries where the romance of genius can obscure the grind of craft. “Aiming for the moon” is his permission slip to demand more: not perfectionism for its own sake, but a shared, high-stakes commitment where the goal dignifies the strain.
The subtext is both aspirational and corrective. Hamlisch is quietly arguing that artistry isn’t a mysterious spark; it’s systems, collaboration, and sweat. By choosing NASA, he picks a team effort the public automatically respects, then implies that any ambitious production - a score, a film, a Broadway opening - deserves the same respect for labor and coordination. There’s also a gentle rebuke to people who want excellence without paying its costs: sleep, comfort, ego.
Context matters: Hamlisch’s career sat at the intersection of pop success, film scoring, and Broadway, industries where the romance of genius can obscure the grind of craft. “Aiming for the moon” is his permission slip to demand more: not perfectionism for its own sake, but a shared, high-stakes commitment where the goal dignifies the strain.
Quote Details
| Topic | Work Ethic |
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