"I think that's the key to being a director: to be able to get the shot and move on quickly"
About this Quote
There is a kind of blue-collar honesty in Bobby Farrelly framing directing as a hustle: get the shot, move on. It’s not the romantic myth of the auteur chasing perfection until the crew collapses; it’s filmmaking as triage. You solve the problem in front of you, grab what you need, and protect the day. The intent is practical, almost managerial, but the subtext is artistic too: pace is a creative choice.
Farrelly comes out of comedy, where timing isn’t just on screen, it’s in production. Comedies die under overthinking. Actors get tight. Jokes lose their snap. “Move on quickly” reads like a defense of momentum as a method: keep performances loose, keep the set light, don’t let the hunt for the “perfect” version strangle the funny version. It also signals respect for collaboration. A director who can decide decisively is telling a crew: I won’t waste your energy chasing diminishing returns.
Context matters here. Farrelly’s career is built on studio-scale comedies that live or die on efficiency, budget discipline, and capturing the right expression at the right moment. The line quietly rejects prestige-cinema rituals, where endless takes and tortured refinement are treated as proof of seriousness. Farrelly’s pitch is that professionalism is knowing when you already have it. The “key” isn’t speed for its own sake; it’s judgment. Knowing when the shot is truly in the can is what separates confidence from chaos.
Farrelly comes out of comedy, where timing isn’t just on screen, it’s in production. Comedies die under overthinking. Actors get tight. Jokes lose their snap. “Move on quickly” reads like a defense of momentum as a method: keep performances loose, keep the set light, don’t let the hunt for the “perfect” version strangle the funny version. It also signals respect for collaboration. A director who can decide decisively is telling a crew: I won’t waste your energy chasing diminishing returns.
Context matters here. Farrelly’s career is built on studio-scale comedies that live or die on efficiency, budget discipline, and capturing the right expression at the right moment. The line quietly rejects prestige-cinema rituals, where endless takes and tortured refinement are treated as proof of seriousness. Farrelly’s pitch is that professionalism is knowing when you already have it. The “key” isn’t speed for its own sake; it’s judgment. Knowing when the shot is truly in the can is what separates confidence from chaos.
Quote Details
| Topic | Movie |
|---|
More Quotes by Bobby
Add to List




