"I think The Big Picture was such a huge shift from my second record"
About this Quote
There is a quiet self-audit in Michael W. Smith calling The Big Picture a "huge shift" from his second record: the phrase is both a flex and a confession. He is not just marking an album-to-album evolution; he is claiming a turning point in identity, a moment when a Christian pop artist stops being merely competent and starts being intentional about the kind of artist he wants to be.
The wording matters. "I think" softens the proclamation, signaling humility and inviting the listener to share the assessment rather than accept a verdict. But "such a huge shift" is blunt, almost managerial language, the kind you use when you know the product changed and you need to justify it to your audience. It implies risk: if the early work established a template, The Big Picture disrupted it. That disruption is the point. In faith-adjacent music, where audiences often want continuity of message and tone, pivoting can read as growth or betrayal. Smith frames it as growth.
The title itself, The Big Picture, smuggles in ambition. It suggests a widening lens: broader themes, more expansive production, a move from the inward (personal testimony, devotional intimacy) to the outward (craft, reach, cultural footprint). Subtext: he is negotiating credibility on two fronts at once - within the Christian market and against the standards of mainstream pop craftsmanship. The "shift" becomes a way of saying, without saying, that he was done sounding like his past and ready to sound like his future.
The wording matters. "I think" softens the proclamation, signaling humility and inviting the listener to share the assessment rather than accept a verdict. But "such a huge shift" is blunt, almost managerial language, the kind you use when you know the product changed and you need to justify it to your audience. It implies risk: if the early work established a template, The Big Picture disrupted it. That disruption is the point. In faith-adjacent music, where audiences often want continuity of message and tone, pivoting can read as growth or betrayal. Smith frames it as growth.
The title itself, The Big Picture, smuggles in ambition. It suggests a widening lens: broader themes, more expansive production, a move from the inward (personal testimony, devotional intimacy) to the outward (craft, reach, cultural footprint). Subtext: he is negotiating credibility on two fronts at once - within the Christian market and against the standards of mainstream pop craftsmanship. The "shift" becomes a way of saying, without saying, that he was done sounding like his past and ready to sound like his future.
Quote Details
| Topic | Music |
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