"I think the reason I am important is that I know everything"
About this Quote
Self-mythologizing has rarely sounded so breezy. Stein’s line is a miniature manifesto of modernist swagger: importance, she implies, isn’t earned through institutional approval but asserted through a persona that refuses to apologize for its appetite. The joke is that it’s obviously impossible to “know everything,” and Stein knows you know that. The overstatement isn’t a factual claim; it’s a performance of authority, the kind a woman in early 20th-century literary culture often had to stage loudly because the room was already skeptical.
The subtext is twofold. First, it’s an attack on the usual standards of legitimacy. If “importance” is socially constructed, why not construct it yourself, in public, with a straight face? Second, it’s a dare: keep up. Stein’s reputation was built not only on writing that scrambled familiar syntax and expectation, but on being the gravitational center of a scene (her Paris salon, her role as tastemaker and gatekeeper). “I know everything” reads like the voice of someone who has been in the room with Picasso and Matisse, heard the arguments, watched styles shift in real time - and is refusing false modesty about that vantage point.
There’s also a sly commentary on knowledge itself. For Stein, “everything” can mean facts, but it can also mean patterns: how language works, how meaning wobbles, how culture crowns its winners. The line compresses her larger project: if you can control the terms of the conversation, you can control who counts as “important.”
The subtext is twofold. First, it’s an attack on the usual standards of legitimacy. If “importance” is socially constructed, why not construct it yourself, in public, with a straight face? Second, it’s a dare: keep up. Stein’s reputation was built not only on writing that scrambled familiar syntax and expectation, but on being the gravitational center of a scene (her Paris salon, her role as tastemaker and gatekeeper). “I know everything” reads like the voice of someone who has been in the room with Picasso and Matisse, heard the arguments, watched styles shift in real time - and is refusing false modesty about that vantage point.
There’s also a sly commentary on knowledge itself. For Stein, “everything” can mean facts, but it can also mean patterns: how language works, how meaning wobbles, how culture crowns its winners. The line compresses her larger project: if you can control the terms of the conversation, you can control who counts as “important.”
Quote Details
| Topic | Witty One-Liners |
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