"I think there are certain actors that have that kind of energy about them, that taking over a room energy"
About this Quote
Close is naming the kind of charisma that reads less like “confidence” and more like a force field. “Taking over a room” isn’t about volume or ego; it’s about the invisible mechanics of attention - who gets it, who keeps it, and who can bend it without asking permission. Coming from Glenn Close, an actor celebrated for precision and control rather than splashy celebrity antics, the line lands as both admiration and diagnosis. She’s talking shop, but she’s also talking power.
The phrasing does a lot of quiet work. “Certain actors” draws a line between craft and magnetism, implying a hierarchy inside the profession that training alone can’t guarantee. “That kind of energy” is deliberately vague, almost superstitious, because the thing she’s describing is hard to measure and harder to teach. It’s the difference between someone who performs a character and someone whose presence changes the temperature of the space before the scene even starts.
The subtext carries a veteran’s realism: film sets, audition rooms, press junkets - they’re ecosystems where attention is currency. Close has spent decades watching how that currency gets distributed, often along familiar lines (gender, fame, mythology). Her comment gently demystifies the star system without pretending it’s fake. Some people do arrive with an extra wattage, and the industry is built to reward it.
There’s also a trace of ambivalence. “Taking over” can be thrilling, even necessary; it can also crowd out others. Close isn’t condemning it. She’s acknowledging the gravitational pull that makes an actor not just good, but inevitable.
The phrasing does a lot of quiet work. “Certain actors” draws a line between craft and magnetism, implying a hierarchy inside the profession that training alone can’t guarantee. “That kind of energy” is deliberately vague, almost superstitious, because the thing she’s describing is hard to measure and harder to teach. It’s the difference between someone who performs a character and someone whose presence changes the temperature of the space before the scene even starts.
The subtext carries a veteran’s realism: film sets, audition rooms, press junkets - they’re ecosystems where attention is currency. Close has spent decades watching how that currency gets distributed, often along familiar lines (gender, fame, mythology). Her comment gently demystifies the star system without pretending it’s fake. Some people do arrive with an extra wattage, and the industry is built to reward it.
There’s also a trace of ambivalence. “Taking over” can be thrilling, even necessary; it can also crowd out others. Close isn’t condemning it. She’s acknowledging the gravitational pull that makes an actor not just good, but inevitable.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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