"I think there's always a call for people who are bucking the norm. But I don't expect it to happen now because I think that more than ever the entertainment industry is trying to serve as a distraction, to keep people from thinking too hard"
About this Quote
Picciotto’s line lands like a quiet accusation aimed at the mood of modern culture: we say we love rebels, but we’ve built an economy that sedates them. The first sentence nods to the romantic story the music world tells about itself - that there’s “always a call” for artists who buck the norm. It’s the standard mythology of punk and indie, where difference is supposedly not just tolerated but required. Then he undercuts it with a cold little turn: “But I don’t expect it to happen now.” That shift matters. He’s not debating whether contrarians are valuable; he’s saying the conditions that allow them to matter have been engineered away.
The subtext is less about any single genre than about attention as a managed resource. “Distraction” isn’t framed as an accidental byproduct of entertainment; it’s a function, almost a job description. Picciotto suggests the industry isn’t just selling songs or movies, it’s selling cognitive relief - a way to stay inside the feed, inside the comfort loop, without having to form an opinion that could harden into action. The phrase “keep people from thinking too hard” is pointedly informal, which makes it sting: he’s describing something systemic in everyday language, as if it’s obvious enough to be embarrassing.
Coming from a musician shaped by DIY scenes that prized friction over polish, the context is key. For artists like Picciotto, “bucking the norm” was never a branding strategy; it was a survival tactic against commercial smoothing. His pessimism reads as a warning: when rebellion becomes a market category, the culture can still look “edgy” while staying politically and emotionally inert.
The subtext is less about any single genre than about attention as a managed resource. “Distraction” isn’t framed as an accidental byproduct of entertainment; it’s a function, almost a job description. Picciotto suggests the industry isn’t just selling songs or movies, it’s selling cognitive relief - a way to stay inside the feed, inside the comfort loop, without having to form an opinion that could harden into action. The phrase “keep people from thinking too hard” is pointedly informal, which makes it sting: he’s describing something systemic in everyday language, as if it’s obvious enough to be embarrassing.
Coming from a musician shaped by DIY scenes that prized friction over polish, the context is key. For artists like Picciotto, “bucking the norm” was never a branding strategy; it was a survival tactic against commercial smoothing. His pessimism reads as a warning: when rebellion becomes a market category, the culture can still look “edgy” while staying politically and emotionally inert.
Quote Details
| Topic | Art |
|---|---|
| Source | Help us find the source |
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