"I think these are terrible times to be anything in"
About this Quote
A line like this lands because it refuses the comfort of specificity. Swoosie Kurtz isn’t lamenting “being young” or “being a woman” or “being an artist” - she’s flattening the whole identity marketplace into one exhausted verdict: terrible times to be anything in. The joke, if it’s a joke, is the bleak efficiency. In an era when every crisis is tagged to a demographic and every hardship becomes a branded narrative, she sidesteps the competition for most embattled and offers a grim kind of solidarity: nobody’s category is safe, not even the supposedly neutral ones.
Coming from an actress, the subtext also carries the fatigue of performance. Actors are paid to inhabit roles, to make “being something” legible and consumable. Kurtz’s phrasing feels like someone momentarily dropping the mask and admitting that the script of modern life - constant self-definition, constant optimization - is itself a pressure cooker. “Anything in” has a telling vacancy: it gestures at bodies, jobs, relationships, even cities or countries, without naming them. That vagueness mirrors the ambient dread of the last decade, where headlines blur into a perpetual present and the sense of stable ground erodes.
The intent isn’t pure nihilism. It’s a diagnostic one-liner: the culture is overclocked, and identity, once a tool for recognition, has become a site of nonstop stress-testing. The power is in the blanket statement that feels, uncomfortably, accurate.
Coming from an actress, the subtext also carries the fatigue of performance. Actors are paid to inhabit roles, to make “being something” legible and consumable. Kurtz’s phrasing feels like someone momentarily dropping the mask and admitting that the script of modern life - constant self-definition, constant optimization - is itself a pressure cooker. “Anything in” has a telling vacancy: it gestures at bodies, jobs, relationships, even cities or countries, without naming them. That vagueness mirrors the ambient dread of the last decade, where headlines blur into a perpetual present and the sense of stable ground erodes.
The intent isn’t pure nihilism. It’s a diagnostic one-liner: the culture is overclocked, and identity, once a tool for recognition, has become a site of nonstop stress-testing. The power is in the blanket statement that feels, uncomfortably, accurate.
Quote Details
| Topic | Tough Times |
|---|---|
| Source | Help us find the source |
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