"I think they do a great job on Queer as Folk"
About this Quote
There is something quietly radical about praising a show by name instead of hiding behind a vague “I support representation” soundbite. “I think they do a great job on Queer as Folk” is short, almost throwaway, but its plainness is the point: it treats a queer series as craft, not controversy. Innes isn’t staking a grand political claim; she’s giving a professional compliment. That matters because it reframes queer storytelling as something that can be judged on execution, not merely tolerated as “important.”
The phrasing is also tellingly actor-brained. “They do a great job” is insider language: an acknowledgment of writers, performers, directors, the whole machine that makes a show land. It’s a subtle kind of solidarity that doesn’t center the speaker’s virtue. She doesn’t announce bravery for watching; she evaluates quality. In the early-2000s ecosystem where Queer as Folk carried real cultural heat, that normalizing tone functioned as cover fire. If you can talk about the series like any other well-made drama, you pull it out of the moral panic frame and into the entertainment frame, where it can reach more people.
There’s subtext in the cautious “I think,” too: a softener that reads like media training, a way to offer approval without inviting a culture-war cross-examination. The intent feels pragmatic and humane: affirm the show’s legitimacy, applaud its makers, and signal comfort with queer visibility without turning the moment into a manifesto.
The phrasing is also tellingly actor-brained. “They do a great job” is insider language: an acknowledgment of writers, performers, directors, the whole machine that makes a show land. It’s a subtle kind of solidarity that doesn’t center the speaker’s virtue. She doesn’t announce bravery for watching; she evaluates quality. In the early-2000s ecosystem where Queer as Folk carried real cultural heat, that normalizing tone functioned as cover fire. If you can talk about the series like any other well-made drama, you pull it out of the moral panic frame and into the entertainment frame, where it can reach more people.
There’s subtext in the cautious “I think,” too: a softener that reads like media training, a way to offer approval without inviting a culture-war cross-examination. The intent feels pragmatic and humane: affirm the show’s legitimacy, applaud its makers, and signal comfort with queer visibility without turning the moment into a manifesto.
Quote Details
| Topic | Movie |
|---|---|
| Source | Help us find the source |
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